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See Rotta for the medieval lyre, or Rote for the fiddle. During the 11th to 15th century A.D., rotte (German) or rota (Spanish) referred to a triangular psaltery illustrated in the hands of King David and played by jongleurs (popular musicians who might play the music of troubadours) and cytharistas (Latin word for a musician who plays string instruments).
The Anglo-Saxon lyre, also known as the Germanic lyre, a rotta, (Old Norse : Hörpu) [1] or the Viking lyre, is a large plucked and strummed lyre that was played in Anglo-Saxon England, and more widely, in Germanic regions of northwestern Europe. The oldest lyre found in England dates before 450 AD and the most recent dates to the 10th century.
The Moon in the Labyrinth for harp and string quartet (or string orch.) [19] The Lyre of Orpheus for harp and string quartet (or for harp duo) [20] Fairy Tales for harp and flute (also piccolo) Five Pieces for harp, flute, and cello [21] Aurora for flute and harp [22] Bohuslav Martinů. Musique de Chambre No. 1 (clarinet, violin, viola, cello ...
Kinnor (Hebrew: כִּנּוֹר kīnnōr) is an ancient Israelite musical instrument in the yoke lutes family, the first one to be mentioned in the Hebrew Bible.. Its exact identification is unclear, but in the modern day it is generally translated as "harp" or "lyre", [2]: 440 and associated with a type of lyre depicted in Israelite imagery, particularly the Bar Kokhba coins.
The cythara is a wide group of stringed instruments of medieval and Renaissance Europe, including not only the lyre and harp but also necked, string instruments. [1] In fact, unless a medieval document gives an indication that it meant a necked instrument, then it likely was referring to a lyre.
The cithara is said to have been the invention of Apollo, the god of music. [7] Apollo is often depicted playing a cithara instead of a lyre, often dressed in a kitharode ’s formal robes. Kitharoidos , or Citharoedus , is an epithet given to Apollo, which means "lyre-singer" or "one who sings to the lyre".
Strings attached to the soundboard and to tuning pegs within the neck or the harmonic curve of the instrument. The curve became more pronounced in the eleventh century and onwards. [3] The medieval harp usually featured gut strings, though horsehair and silk were used occasionally. In Ireland, the Celtic harp was strung with wire strings.
The sound bar beneath the soundboard, which the strings anchor to, was glued to the instrument's body with a lacquer called Arakku. [6] Kinnara playing a yazh, Kailasanathar Temple in Kanchipuram, India, ca. 8th century C.E. [7] Harps are tuned to musical scales, with each string being tuned to one note in the scale. According to literature ...
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