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In 2009, the IMSLP won the MERLOT Classics award for Music. [30] It was named one of the Top 100 Web Sites of 2009 (in the "Undiscovered" subsection) by PC Magazine . [ 31 ] In 2018, Edward Guo was honored with The Helen Rice Award by the Associated Chamber Music Players (ACMP) Foundation in recognition of those who have moved the chamber music ...
The second waltz section, in E-flat major invokes the joys of spring with the flute imitating birdsong and a pastoral scene. The plaintive and dramatic third section in A-flat major and later in C minor probably suggests spring showers whereas the fourth section that follows breaks out from the pensive mood with another cheerful melody in A ...
Franz Xaver Gruber (25 November 1787 – 7 June 1863) was an Austrian primary school teacher, church organist and composer in the village of Arnsdorf, who is best known for composing the music to "Stille Nacht" ("Silent Night").
Liederkreis, Op. 39, is a song cycle composed by Robert Schumann.Its poetry is taken from Joseph von Eichendorff's collection entitled Intermezzo.Schumann wrote two cycles of this name – the other being his Opus 24, to texts by Heinrich Heine – so this work is also known as the Eichendorff Liederkreis.
Ganz kleine Nachtmusik (German for Quite (or Very) Little Night Music), K. 648, [1] also known as Serenade in C, [2] is a composition for string trio by Wolfgang Amadeus Mozart (1756–1791), written in the mid to late 1760s.
The second piece, in F major, followed on 22–25 November, also contains a slower portion coupled with a quick section. No. 3, in C minor, took more than a month to compose, dated from 3 December 1886 to 12 January 1887. With a chordal texture spread over the entire keyboard, it is reminiscent of the music of Robert Schumann. [5]
The second movement, with the tempo marked Andante, is a Romance in the subdominant key of C major. It is in rondo form, taking the shape A–B–A–C–A plus a final coda. The keys of the sections are C major for A and B, C minor for C. The middle appearance of A is truncated, consisting of only the first half of the theme.
These works were heavily influenced by Bartók's fascination with folk music and by his admiration to Claude Debussy, who had, by then, made a name for himself. [ 1 ] Whereas Fourteen Bagatelles is decidedly more difficult for young pianists, this set was planned to serve as an easy contemporary preparation for students.
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