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Frumentius (Ge'ez: ፍሬምናጦስ; died c. 383) was a Phoenician Christian missionary and the first bishop of Axum who brought Christianity to the Kingdom of Aksum. [1] He is sometimes known by other names, such as Abuna ("Our Father") and Aba Salama ("Father of Peace"). [2] He was a native of Phoenicia, born in Tyre, modern day Lebanon.
The Greek inscription affirms that the sanctuary of Asclepius (and Hygieia) was founded by Pnytarion's husband, so it is reasonable to assume that a Phoenician sanctuary for Eshmun was destroyed or fell into disuse, and refounded as a sanctuary dedicated to Asclepius and Hygieia.
The Byblos altar inscription is a Phoenician inscription on a broken altar discovered around 1923 during the excavations of Pierre Montet in the area of the Byblos temples. [1] [2] It was discovered outside the temples and tombs, a few meters from the hypocausts, in a modern wall. [3] A four-line Phoenician inscription is engraved on one side.
The Cesnola Phoenician inscriptions are 28 Phoenician inscriptions from Cyprus (primarily Kition) in the Metropolitan Museum of Art's Cesnola Collection. They were discovered by Luigi Palma di Cesnola during his tenure as the United States Consul to Cyprus from 1865 to 1871. [ 1 ]
The Pyrgi Tablets (dated c. 500 BC) are three golden plates inscribed with a bilingual Phoenician–Etruscan dedicatory text. They are the oldest historical source documents from Italy, predating Roman hegemony, and are rare examples of texts in these languages.
The Athenian Greek-Phoenician inscriptions are 18 ancient Phoenician inscriptions found in the region of Athens, Greece (also known as Attica). They represent the second largest group of foreign inscriptions in the region after the Thracians (25 inscriptions). 9 of the inscriptions are bilingual Phoenician-Greek and written on steles. Almost ...
Full Title: The writing and language of all the surviving Phoenician remains, published and unpublished copies of the best examples, illustrated and explained by Wilhelm Gesenius. First part: Containing the first two books on Phoenician letters and inscriptions [p. i–xxviii, 1–260], therein:
Based on an inscription on a large obelisk at the Temple of the Obelisks, the male ones are interpreted to resemble Resheph, the Phoenician deity of war and plague. [1] The figurines have been described as "crude, stereotyped, mass-produced". [4] It is likely that they were produced in Byblos to be used as ritual offerings.
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