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A dominant woman and a submissive man practicing feminization. Feminization or feminisation, sometimes forced feminization (shortened to forcefem or forced femme), [1] [2] and also known as sissification, [3] is a practice in dominance and submission or kink subcultures, involving reversal of gender roles and making a submissive male take on a feminine role, which includes cross-dressing.
This may involve various items of feminine clothing or underwear in a variety of contexts, ranging from the husband having to wear a feminine apron around the house whilst performing household chores, to the wife insisting that the husband wear lingerie under ordinary male clothing. In all such circumstances, there is a strong reliance on the ...
Cosplaying may also involve cross-dressing, for some females may wish to dress as a male, and vice versa (see crossplay). Females may choose to chest bind while cosplaying a male character. [77] While creating a more feminine figure, male cross-dressers will may utilize breast forms or breast plates to give the appearance of breasts.
Female submission is common in traditional literature. [7] Story of O, published in 1954 in French, is an erotic tale of female submission involving a beautiful Parisian fashion photographer named O, who is taught to be constantly available for all forms of sex, offering herself to any male.
Effeminacy or male femininity [1] [2] is the embodiment of feminine traits in boys or men, particularly those considered untypical of men or masculinity. [3] These traits include roles, stereotypes, behaviors, and appearances that are socially associated with girls and women.
By rejecting labels of what’s traditionally “feminine” or “masculine” altogether and becoming attuned to their own wants, needs, and desires, women can avoid catering to the male gaze ...
Breaking away from beauty norms can be uniquely challenging for transgender women, who often feel bound by standards of femininity in ways that can land differently than for cisgender women.
Rrose Sélavy, the feminine alter-ego of artist Marcel Duchamp, remains one of the most complex and pervasive pieces in the enigmatic puzzle of the artist's oeuvre. She first emerged in portraits made by the photographer Man Ray in New York in the early 1920s, when Duchamp and Man Ray were collaborating on a number of conceptual photographic works.