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Racing Lady (1937) Racing Luck (1935) Racing Stripes (2005) [1] The Rainbow Jacket (1954) Ready to Run (2000) A Reckless Gamble (1928) Red Canyon (1949) The Red Horses (1950) The Red Horses (1954) The Red Pony (1949) [1] The Red Pony (1973) The Red Stallion (1947) Red Stallion in the Rockies (1949) The Reivers (1969) The Return of October (1948 ...
Johnson's film career began with the Howard Hughes film The Outlaw. [6] [7]Johnson liked to say later that he got to Hollywood in a carload of horses. [8]His work as a stuntman caught the eye of director John Ford, who hired Johnson for stunt work in the 1948 film Fort Apache, and as the riding double for Henry Fonda. [3]
Broadway Bill is a 1934 American comedy-drama film directed by Frank Capra and starring Warner Baxter and Myrna Loy.Screenplay by Robert Riskin and based on the short story "Strictly Confidential" by Mark Hellinger, the film is about a man's love for his thoroughbred race horse and the woman who helps him achieve his dreams.
Carrying 54 kg (118.8 pounds), Silky Sullivan faced nine other three-year-olds including Old Pueblo, who had defeated him in the Breeder's Champion Stakes. The 10-horse field for the 21st running of the Santa Anita Derby (by post position) was: 1. Carrier X (by Count Fleet), George Taniguchi up; 1A. Old Pueblo (by Windy City 2), Eddie Arcaro up; 2.
The option money gives the Bourdelles the funds to enter the colt in the race, so they take the horse to the local track to gallop him. While they are there, Casey runs into Mr. Marsh's daughter, who goads him into having a match race. During the race, Shadow is spooked and runs onto asphalt, hurting his legs.
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Elliott Gould was the original voice of the horse. After a poor test screening of the film, the horse's half of the script was rewritten by future Monk creator and executive producer Andy Breckman in an effort to make the film funnier. John Candy was hired to re record the horse's voice; he ignored the new script and improvised the dialogue ...
Filming took place in the CA towns of Richmond and Sausalito. Nilsson and cinematographer Czapsky used Steadicam operators riding on motorcycles, dollies, and pickup trucks to film runners. Some shots from the runners’ POV were captured by second unit director-camera operator Stephen Lighthill running with a camera either under his arm or ...
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