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Country: Indonesia Published: [Banda Aceh]: Bagian Proyek Pengkajian dan Pembinaan Nilai-Nilai Budaya Daerah Istimewa Aceh, Direktorat Sejarah dan Nilai Tradisional, Direktorat Jenderal Kebudayaan, Departemen Pendidikan dan Kebudayaan, [1994]
South Aceh Regency (Indonesian: Kabupaten Aceh Selatan) is a regency in the Aceh province of Indonesia.It is located on the west coast of the island of Sumatra.The regency covers an area of 4,205.33 square kilometres and had a population of 202,251 at the 2010 Census, [2] 224,588 in 2015 and 232,414 at the 2020 Census; [3] the official population estimate in 2023 was 236,933. [1]
It is quite difficult to define Indonesian art, since the country is immensely diverse.The sprawling archipelago nation consists of 17,000 islands. [1] Around 922 of those permanently inhabited, [2] by over 600 ethnic groups, [3] [4] which speak more than 700 living languages.
The Aneuk Jamee people are originally Minangkabau people who have migrated to Aceh in the 19th century, [2] and intermarried with the Acehnese people, Kluet people, Singkil people and Devayan people. In terms of language, the Anuek Jamee language is considered as a dialect of the Minangkabau language that has a mixture of Aceh 's native languages.
The Center for Documentation and Information of Aceh (Indonesian: Pusat Dokumentasi dan Informasi Aceh), known for its collection of rare books and manuscripts chronicling the heritage of Aceh, was completely destroyed during 2004 Indian Ocean earthquake. Only half of the building remained standing, and the entire collection was swept away.
Mante people (Mantee in Gayonese) or also spelled as Mantir, [1] are one of the earliest ethnic groups frequently mentioned in legendary folklore to have inhabited Aceh, Indonesia. [2] This ethnic group, along with other indigenous people such as the Illanun people , Sakai people , Jakun people , Senoi and Semang , are the ethnic groups that ...
Rumoh Aceh are always oriented with their gables facing east and west. [4] The east–west direction may originally have been connected with life-death – this sacred-profane symbolism is commonly found in Indonesia. [7] After the Islamization of Aceh, the west direction is sometimes associated with the direction of Mecca. [8]
The era of revolution in Indonesia made many Indonesian painters shift from romantic themes to tend toward "populist". Objects related to the natural beauty of Indonesia were considered a theme that betrayed the nation, because they were considered to be a curse on the capitalists who were enemies of the popular ideology of communism at that time.