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The Pietà (Italian: [maˈdɔnna della pjeˈta]; "[Our Lady of] Pity"; 1498–1499) is a Carrara marble sculpture of Jesus and Mary at Mount Golgotha representing the "Sixth Sorrow" of the Virgin Mary by Michelangelo Buonarroti, in Saint Peter's Basilica, Vatican City, for which it was made.
Museo Real de Pinturas a la muerte de Fernando VII. 1834, 156; Catalog Museo del Prado, 1854-1858, 1546; Catalog Museo del Prado, 1872-1907, 1333; L'opera completa di Van Dyck, 649; Alle tot nu toe bekende schilderijen van Van Dyck, 690; RKDimages ID: 232416 ; Museo del Prado artwork ID: f89676d9-34cc-46d9-b232-571faf9894ba
The Pietà or Sexta Angustia (1616 - 1619) is a work of Baroque sculpture by Gregorio Fernández, housed in the National Museum of Sculpture in Valladolid, Spain.The statue was commissioned by the Illustrious Penitential Brotherhood of Our Lady of Anguish.
Michelangelo Buonarotti's Pietà in Saint Peter's Basilica, 1498–1499.Crowned by the Pontifical decree of Pope Urban VIII in 1637.. The Pietà (Italian pronunciation:; meaning "pity", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from the Cross.
The fresco. The Spello Pietà is a fresco of the Pietà by Perugino executed in 1521–1522. It also shows John the Apostle and Mary Magdalene kneeling either side of the Virgin Mary.
Enguerrand Quarton.Pietà of Villeneuve-lès-Avignon.Oil on wood, 163cm x 219cm. Musée du Louvre. Pietà of Villeneuve-lès-Avignon is an oil painting of the mid-15th century that is considered one of the outstanding works of art of the late Middle Ages.
Pietà (c. 1460) by Cosmè Tura. Pietà is a tempera on panel painting by Cosmè Tura, measuring 47.7 cm by 33.5 cm.It is now in the Museo Correr in Venice, to which it was bequeathed with the rest of the collection of Teodoro Correr on 1 January 1830. [1]
The painting comes from the collection of the Marquis de Heredia. The work's commissioner is unknown. The canvas is signed in the lower right corner on a rock according to the usual formula the artist used at the time: "Jusepe de Ribera español 1633".