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Bourgeois existence was a world of interior space, heavily curtained off and wary of intrusion, and opened only by invitation for viewing on occasions such as parties or teas. " The essential, unknowability of each individual, and society's collaboration in the maintenance of a façade behind which lurked innumerable mysteries, were the themes ...
Victorian morality is a ... that the shopping culture of the petite bourgeoisie established the sitting room as the centre of personal and family life; as such, the ...
Beyond the intellectual realms of political economy, history, and political science that discuss, describe, and analyze the bourgeoisie as a social class, the colloquial usage of the sociological terms bourgeois and bourgeoise describe the social stereotypes of the old money and of the nouveau riche, who is a politically timid conformist ...
John Plotz, reviewing The Bourgeois in Victorian Studies, found some weaknesses in Moretti's approach: "This functionalist credo lies at the core of The Bourgeois: Moretti presumes that we can say what a text is by saying what it did to the society on which it was initially unleashed. It is a reading strategy that reveals much but that can also ...
Hunger and poor diet was a common aspect of life across the UK in the Victorian period, especially in the 1840s, but the mass starvation seen in the Great Famine in Ireland was unique. [87] [85] Levels of poverty fell significantly during the 19th century from as much as two thirds of the population in 1800 to less than a third by 1901. However ...
Madame Bovary (/ ˈ b oʊ v ə r i /; [1] French: [madam bɔvaʁi]), originally published as Madame Bovary: Provincial Manners (French: Madame Bovary: Mœurs de province [madam bɔvaʁi mœʁ(s) də pʁɔvɛ̃s]), is a novel by French writer Gustave Flaubert, published in 1857.
The Staffordshire spaniel was the quintessential Victorian bourgeois status-symbol ornament: no mantelpiece was complete without a pair of spaniels standing guard. Staffordshire dogs were also placed on the window sill. Staffordshire dogs are nowadays collectors’ items. [11]
MacCarthy described Morris's lifestyle as being "late Victorian, mildly bohemian, but bourgeois", [230] with Mackail commenting that he exhibited many of the traits of the bourgeois Victorian class: "industrious, honest, fair-minded up their lights, but unexpansive and unsympathetic". [231]