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Bourgeois existence was a world of interior space, heavily curtained off and wary of intrusion, and opened only by invitation for viewing on occasions such as parties or teas. " The essential, unknowability of each individual, and society's collaboration in the maintenance of a façade behind which lurked innumerable mysteries, were the themes ...
The Marxist intellectual Walter Benjamin connected Victorian morality to the rise of the bourgeoisie. Benjamin alleged that the shopping culture of the petite bourgeoisie established the sitting room as the centre of personal and family life; as such, the English bourgeois culture is a sitting-room culture of prestige through conspicuous ...
The prototypical bourgeois, Monsieur Jourdain, the protagonist in Molière's play Le Bourgeois gentilhomme (1670) Bourgeois values are dependent on rationalism, which began with the economic sphere and moves into every sphere of life which is formulated by Max Weber. [36] The beginning of rationalism is commonly called the Age of Reason. Much ...
Bohemianism is a social and cultural movement that has, at its core, a way of life away from society's conventional norms and expectations. The term originates from the French bohème and spread to the English-speaking world. It was used to describe mid-19th-century non-traditional lifestyles, especially of artists, writers, journalists ...
John Plotz, reviewing The Bourgeois in Victorian Studies, found some weaknesses in Moretti's approach: "This functionalist credo lies at the core of The Bourgeois: Moretti presumes that we can say what a text is by saying what it did to the society on which it was initially unleashed. It is a reading strategy that reveals much but that can also ...
Madame Bovary (/ ˈ b oʊ v ə r i /; [1] French: [madam bɔvaʁi]), originally published as Madame Bovary: Provincial Manners (French: Madame Bovary: Mœurs de province [madam bɔvaʁi mœʁ(s) də pʁɔvɛ̃s]), is a novel by French writer Gustave Flaubert, published in 1857.
MacCarthy described Morris's lifestyle as being "late Victorian, mildly bohemian, but bourgeois", [230] with Mackail commenting that he exhibited many of the traits of the bourgeois Victorian class: "industrious, honest, fair-minded up their lights, but unexpansive and unsympathetic". [231]
The Staffordshire spaniel was the quintessential Victorian bourgeois status-symbol ornament: no mantelpiece was complete without a pair of spaniels standing guard. Staffordshire dogs were also placed on the window sill. Staffordshire dogs are nowadays collectors’ items. [11]