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The Wild One is a 1953 American crime film directed by László Benedek and produced by Stanley Kramer. The picture is most noted for the character of Johnny Strabler, portrayed by Marlon Brando , whose persona became a cultural icon of the 1950s.
Paxton was hired by Stanley Kramer, who released through Columbia, to adapt the story for The Wild One (1953). He went to MGM to write The Cobweb (1955) then re-wrote R.C. Sheriff's script for A Prize of Gold (1955) for Warwick Films who released through Columbia. [7] Warwick liked Paxton's work and hired him to write Interpol (1957).
The Wild One, 1953 film starring Marlon Brando; The Wild One, a 2022 film based on the life of James Morrill, a mid-19th century British castaway in Australia; The Wild Ones, 2012 Spanish film
László Benedek (Hungarian pronunciation: [ˈlaːsloː ˈbɛnɛdɛk]; March 5, 1905 – March 11, 1992; sometimes Laslo Benedek) was a Hungarian-born film director and cinematographer, most notable for directing The Wild One (1953).
She first gained attention in 1953, when she played a good-hearted girl who is intrigued by Marlon Brando in The Wild One.The following year, she appeared opposite Tony Curtis in Beachhead, and with Dale Robertson in Sitting Bull, and the year after that as Fredric March's daughter in the thriller The Desperate Hours, which also starred Humphrey Bogart.
One instance of the genre, the original version of The Last House on the Left, was an uncredited remake of Ingmar Bergman's The Virgin Spring, recast as a horror film featuring extreme violence. [32] Deliverance , in which the rape is perpetrated on a man, has been credited as the originator of the genre. [ 33 ]
In The Wild One, the stars on the epaulettes and the snaps on the collar of Marlon Brando's jacket were not original, but added to the jacket. Its popularity and connection to The Wild One movie led to it being banned from sale in many districts of England and the USA [2] and becoming a symbol of rebellious youth. [7]
The Wild One [1] is a feature documentary on the Holocaust survivor and director Jack Garfein, directed by Tessa Louise-Salomé, [2] and written by Louise-Salomé and Sarah Contou-Terquem. In 2022, the movie has won the best cinematography award in a documentary feature at the Tribeca Film Festival. [3]