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"Columbia, the Gem of the Ocean" used as an interval signal during a 1962 Voice of America broadcast from Tangier, Morocco. According to William Studwell, "Columbia, the Gem of the Ocean" is the "oldest well-known song of entirely American origin which could, by style or content, qualify as a national anthem". [10]
"My Country, 'Tis of Thee", also known as simply "America", is an American patriotic song, the lyrics of which were written by Samuel Francis Smith. [2] The song served as one of the de facto national anthems of the United States (along with songs like "Hail, Columbia") before the adoption of "The Star-Spangled Banner" as the official U.S. national anthem in 1931. [3]
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A typical sequence of a jazz or rock song in the key of C major might indicate a chord progression such as C – Am – Dm – G 7. This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord.
So in the key of C, the Nashville Number System notation: 1 4 1 5 represents a four-bar phrase in which the band would play a C major chord (one bar), an F major chord (one bar), a C major chord (one bar), and a G major chord (one bar). Here is an example of how two four-bar phrases can be formed to create a section of a song.
"Hail, Columbia" is an American patriotic song and ceremonial entrance march of the vice president of the United States. It was originally considered to be one of the unofficial national anthems of the United States until 1931, when "The Star-Spangled Banner" was named as the official national anthem.
World War I produced many patriotic American songs, such as "Over There", written by popular songwriter George M. Cohan. Cohan composed the song on April 6, 1917, when he saw some headlines announcing America's entry into the war. [6] Cohan is also famous for penning "Yankee Doodle Dandy," an over-the-top parody of patriotic music.
"America the Beautiful" is a patriotic American song. Its lyrics were written by Katharine Lee Bates and its music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey, [1] though the two never met. [2] Bates wrote the words as a poem, originally titled "Pikes Peak".