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The 10th century Danish Møllerløkken Brooch is the most elaborate example known, with a simple overall design with ball terminals and pin-head, but with rich detailing such as interlace panels on the ring and filigree sections on the balls. [56] Other Insular types were also produced in Viking areas of England, especially Scandinavian York. [57]
Grete Prytz Kittelsen (born Adelgunde Margrethe Prytz, June 28, 1917, Oslo, died September 25, 2010, Oslo), was a Norwegian goldsmith, enamel artist, and designer.She is one of the most well-known Norwegians in the Scandinavian Design movement, [1] and has been referred to as the "Queen of Scandinavian Design". [2]
The thistle brooch is a simpler version of the penannular brooch, with less surface decoration, which gained popularity around 1100. The thistle is the national flower of Scotland and acts as an emblem. Today, thistle brooches are often made of silver and contain a thistle motif, and are not necessarily a penannular brooch. [citation needed]
Brooch designs were many and varied: geometric decoration, intricate patterns, abstract designs from nature, bird motifs and running scrolls. [8] Zoomorphic ornamentation was a common element during this period, in Anglo-Saxon England as well as in Europe. Intertwined beasts were a signature feature of these lively, intricately decorated ...
Gold jewellery from the 10th century Hiddensee treasure, mixing Norse pagan and Christian symbols. Pair of "tortoise brooches," which were worn by married Viking women. Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the ...
Ædwen's brooch (also known as Sutton brooch, British Museum 1951,10-11,1) is an early 11th-century Anglo-Scandinavian silver disc brooch with an inscription on the reverse side. It was discovered in 1694 during the ploughing of a field in Sutton , Isle of Ely , Cambridgeshire , along with a hoard including coins and gold rings.
High-quality Mosan 12th century armlet, somewhat damaged, so showing the cast recesses for the enamel. Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or cast into the surface of a metal object, and filled with vitreous enamel.
Made from copper-alloy, tin and enamel, and decorated with millefiori patterns, it is relatively small, with a maximum ring diameter of 8.6 cm, while its pin is 18.3 cm long. [2] The brooch is on permanent display in the National Museum of Ireland Treasury room. It is considered one of the most important and elaborately formed and decorated of ...
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