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Exceptions to VARA require a waiver from the author in writing. To date, "recognized stature" has managed to elude a precise definition. VARA allows authors to waive their rights, something generally not permitted in France and many European countries whose laws were the originators of the moral rights of artists concept. [2]
Some have found no link between the aesthetic and the moral (i.e. being morally reprehensible does not deny an artwork its art status; it does not cease having aesthetic value no matter how depraved some might see it being), whereas others, who have not gone down the explicitly Platonist route, have argued that the relationship is one akin to ...
Artistic integrity is generally defined as the ability to omit an acceptable level of opposing, disrupting, and corrupting values that would otherwise alter an artist's or entities’ original vision in a manner that violates their own preconceived aesthetic standards and personal values.
His phrase for excellences of character – êthikai aretai – we usually translate as moral virtue or moral excellence. When we speak of a moral virtue or an excellence of character, the emphasis is on the combination of qualities that make an individual the sort of ethically admirable person that he is. [8]
From the late 16th century theoretical writers such as Karel van Mander in his Schilder-boeck (1604) began to treat personification in terms of the visual arts. At the same time the emblem book , describing and illustrating emblematic images that were largely personifications, became enormously popular, both with intellectuals and artists and ...
A code of practice is adopted by a profession (or by a governmental or non-governmental organization) to regulate that profession. A code of practice may be styled as a code of professional responsibility, which will discuss difficult issues and difficult decisions that will often need to be made, and then provide a clear account of what behavior is considered "ethical" or "correct" or "right ...
On Moral Fiction is a collection of essays by the American novelist John Gardner published in 1978. ( ISBN 0-465-05225-8 ) In this work, Gardner attacks what he sees as contemporary literature's lack of morality , which he calls the highest purpose of art and which he defines in the book.
The authenticity of provenance of an objet d’art is the positive identification of the artist and the place and time of the artwork's origin; [7] thus, art experts determine authenticity of provenance with four tests: (i) verification of the artist's signature on the work of art; (ii) a review of the historical documentation attesting to the ...