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In art, especially painting, aerial perspective or atmospheric perspective [5] refers to the technique of creating an illusion of depth by depicting distant objects as paler, less detailed, and usually bluer than near objects. This technique was introduced in painting by Leonardo da Vinci to portray what was observed in nature and evident in ...
Elements of art – group of aspects of a work of art used in teaching and analysis, in combination with the principles of art. They are texture, form, line, color, value, and shape. Perspective – the principle of creating the illusion of 3-dimensionality on a 2-dimensional source such as paper. This is achieved by using one or more vanishing ...
Fitz Henry Lane, Lumber Schooners at Evening on Penobscot Bay, 1863, National Gallery of Art. Luminism is a style of American landscape painting of the 1850s to 1870s, characterized by effects of light in a landscape, through the use of aerial perspective and the concealing of visible brushstrokes. Luminist landscapes emphasize tranquility ...
In architecture, spatial design, literary theory, and film theory—affective atmosphere (colloquially called atmosphere) refers to the mood, situation, or sensorial qualities of a space. [1] Spaces containing atmosphere are shaped through subjective and intersubjective interactions with the qualia of the architecture. [ 2 ]
This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary. The works encompassed are from Giotto in the early 14th century to Michelangelo 's Last Judgement of the 1530s.
Aerial perspective – Atmospheric effects on the appearance of a distant object; Bird's-eye view – Elevated view of an object or location from above; Indigenous Australian art – Art made by Aboriginal and Torres Strait Islander peoples of Australia; Cityscape – An artistic representation of the physical aspects of a city or urban area
' smoked off ', i.e. 'blurred') is a painting technique for softening the transition between colours, mimicking an area beyond what the human eye is focusing on, or the out-of-focus plane. It is one of the canonical painting modes of the Renaissance .
Witz's final altarpiece is the St. Peter Altarpiece of 1444, painted for St. Peter's Cathedral, Geneva, and now in the Musée d'Art et d'Histoire, Geneva, which contains his most famous composition, the Miraculous Draft of Fishes. The painting of St. Christopher (Kunstmuseum, Basel; illustrated) does not seem to be related to these major ...