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Rosenberg had a well-established art gallery that housed many famous works of art. He also had good connections with many famous painters including Braque, Matisse and Picasso. Because of these good connections, his art collection was a target for Nazi officials that were in charge of gathering art for Hitler's museum in Linz. [5]
Jahn became the Art Consultant to the German Embassy in Vienna in 1937, where he would then search for, purchase, and collect individual pieces of Hitler's art, allegedly in order to destroy a majority of the paintings. Jahn sold one of the largest collections of Hitler's art, about 18 pieces, with an average selling price of $50,000. [13]
First, art (and, more generally, culture) found itself at the centre of an ideological war. Second, during World War II, many artists found themselves in the most difficult conditions (in an occupied country, in internment camps, in death camps) and their works are a testimony to a powerful "urge to create." Such creative impulse can be ...
Art, Ideology, and Economics in Nazi Germany: The Reich Chambers of Music, Theater, and the Visual Arts. Chapel Hill: The University of North Carolina Press. ISBN 0-8078-4607-4; Thoms, Robert: The Artists in the Great German Art Exhibition Munich 1937–1944, Volume I – painting and printing. Berlin 2010, ISBN 978-3-937294-01-8.
Art theft and looting occurred on a massive scale during World War II. It originated with the policies of the Axis countries, primarily Nazi Germany and Japan, which systematically looted occupied territories. Near the end of the war the Soviet Union, in turn, began looting reclaimed and occupied territories. "The grand scale of looted artwork ...
The National Gallery of Art in Washington identified more than 400 European paintings with gaps in their provenance during the World War II era. [54] One particular piece of art, "Still Life with Fruit and Game" by the 16th-century Flemish painter Frans Snyders, was sold by Karl Haberstock, whom the World Jewish Congress describes as "one of ...
It housed art confiscated from Parisian Jews—more than 21,000 objects [9] —and about 2,000 works from the Bavarian State Painting Collections. [ 10 ] The collection of the Kaiser-Friedrich Museum (now the Kulturhistorisches Museum Magdeburg ) was transported to a salt mine in the nearby town of Stassfurt , in order to protect it from Allied ...
The last art piece to leave the museum was the Winged Victory of Samothrace, which was moved on September 3, 1939, the day the French ultimatum to Germany expired. [7] Throughout the war, the art pieces were clandestinely moved from château to château to avoid being taken back by the Nazis. [1]
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