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"Nica's Dream" is a jazz standard [1] composed by Horace Silver in 1954. It is one of many songs written in tribute to jazz patroness Pannonica de Koenigswarter. [2] The song was first recorded by the Jazz Messengers in 1956, and has since been recorded by many other artists. It features jazz melodic minor harmony with prominent minor-major 7th ...
For example, Robert Johnson and Tampa Red, who were the first to record the most blues standards on the list at four each, performed them as solo or duo acoustic performances. B.B. King and Muddy Waters , with the most standards on the charts at five each, [ 8 ] used electric blues-ensemble arrangements.
"Driftwood" is a 1978 single by the English progressive rock band the Moody Blues. It was the second single released from the album Octave , after " Steppin' in a Slide Zone ". Written by Justin Hayward , "Driftwood" is a slow love ballad, in a similar manner to " Nights in White Satin " and " Never Comes the Day ."
Students can learn to play classic piano, rock piano, or show tunes. [3] The Miracle system assesses the player's ability to create custom lessons. [4] Fun exercises were meant to make learning the piano seem less like a chore and more like playing a video game.
"All Blues" is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6 8 ; the chord sequence is that of a basic blues and made up entirely of seventh chords , with a ♭ VI in the turnaround instead of just the usual V chord.
"Gin House Blues" is the title of two different blues songs, which have become confused over the years. Both songs were first recorded by Bessie Smith . The song originally titled "Gin House Blues" was written in 1925 by Fletcher Henderson with lyrics by Henry Troy, [ 1 ] and recorded by Bessie Smith with Henderson on 18 March 1926. [ 2 ]
Plenty of people enjoy watching animals in parks and backyards, but it's rare that the roles are reversed. Sure, pets spy on their owners all the time, but wild animals tend to keep to themselves.
By far the best known recording of "West End Blues" is the 3-minute-plus, 78 rpm recording made by Louis Armstrong and His Hot Five on June 28, 1928. Gunther Schuller devoted page after page to it in his book Early Jazz, writing, “The clarion call of “West End Blues’ served notice that jazz had the potential capacity to compete with the highest order of previously known musical ...