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Danse de la chèvre (French for Dance of the Goat) is a piece for solo flute by Arthur Honegger, written in 1921 as incidental music for dancer Lysana of Sacha Derek's play La mauvaise pensée. At the start of the piece, there is a slow dreamlike introduction consisting of tritone phrases.
Operas by Arthur Honegger (3 P) S. ... Danse de la chèvre; G. La Guirlande de Campra; La Guirlande de Campra (ballet) J. Jeanne d'Arc au bûcher; M. Les mariés de ...
1921 : H 39 Danse de la chèvre (The Goat Dance) 1929 : H 43 Three Counterpoints for flute, oboe, violin and cello 1929 : H 43a Suite for 2 pianos, adaption of Three Counterpoints, H 43 1925 : H 56 Prelude and Blues for 4 harps, lost 1925 : H 59 Hommage du trombone exprimant la tristesse de l'auteur absent for trombone and piano
Arthur Honegger: Danse de la chèvre (1921) Felix Mendelssohn: The Shepherd’s Song in G minor for solo flute, R 24; Robert Muczynski: Three Preludes, Op. 18 (1962) Karlheinz Stockhausen: Amour (1981) Harmonien (2006) Tōru Takemitsu. Voice (1971) Georg Philipp Telemann: 12 Fantasias for Solo Flute (1733) Edgard Varèse: Density 21.5 (1936)
Théâtre du Jorat, Mézières, where the dramatic psalm was first performed. Original 1921 version: Honegger originally wrote his Le Roi David music for the forces that were available at Morax's Mézières village theatre group, creating a score for the resources available; a small ensemble of 16 musicians comprising: 2 flutes [1 doubling piccolo], 1 oboe [doubling cor anglais], 2 clarinets ...
From 1952 to 1968, René Le Roy was a solo flute at the New York City Opera Orchestra, and until 1971 he was a chamber music teacher at the Conservatoire de Paris. Among his students were Christine Alicot, Juho Alvas, Thomas Brown, Susan Morris DeJong, Geoffrey Gilbert and Bassam Saba.
He assisted Nicolas Bacri in orchestrating Honegger's opera, La morte de Sainte Alméenne, originally written in 1918 for voice and piano; the new version was premiered in Utrecht on 26 November 2005, on the 50th anniversary of the composer's death.
[10] [3] The piece is the first in Honegger's series of three symphonic movements. The other two are Rugby and Mouvement Symphonique No. 3. Honegger lamented that his "poor Symphonic Movement No. 3 paid dearly for its barren title". [2] Critics generally ignored it, while Pacific 231 and Rugby, with more evocative titles, have been written ...