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"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
Persephone was born so deformed that Rhea ran away from her frightened, and did not breastfeed Persephone. [56] Zeus then mates with Persephone, who gives birth to Dionysus. She later stays in her mother's house, guarded by the Curetes. Rhea-Demeter prophecies that Persephone will marry Apollo.
What follows is an overview of the main characters in William Shakespeare's Hamlet, followed by a list and summary of the minor characters from the play. [1] Three different early versions of the play survive: known as the First Quarto ("Q1"), Second Quarto ("Q2"), and First Folio ("F1"), each has lines—and even scenes—missing in the others, and some character names vary.
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...
Hamlet, Act IV, Scene V (Ophelia Before the King and Queen), Benjamin West, 1792. In Ophelia's first speaking appearance in the play, [3] she is seen with her brother, Laertes, who is leaving for France. Laertes warns her that Hamlet, the heir to the throne of Denmark, does not have the freedom to marry whomever he wants.
Batson, Beatrice ed. Shakespeare’s Christianity: The Protestant and Catholic Poetics of Julius Caesar, Macbeth and Hamlet Waco, Texas: Baylor University Press, 2006. Batson, Beatrice ed. Word and Rite: The Bible and Ceremony in Selected Shakespearean Works Newcastle upon Tyne: Cambridge Scholars Publishing, 2010.
The names Phoebe and Phoebus (masculine) came to be applied as synonyms for Artemis/Diana and Apollo respectively, [8] as well as for Luna and Sol, the lunar goddess and the solar god, by the Roman poets; the late-antiquity grammarian Servius writes that "Phoebe is Luna, like Phoebus is Sol." [9] Phoebe was, like Artemis, identified by Roman ...