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A cautionary tale or moral tale [1] is a tale told in folklore to warn its listener of a danger. There are three essential parts to a cautionary tale, though they can be introduced in a large variety of ways. First, a taboo or prohibition is stated: some act, location, or thing is said to be dangerous.
Shaw, John MacKay. "Poetry for Children of Two Centuries". Research about nineteenth-century children and books. Urbana-Champaign, Illinois: University of Illinois, 1980. 133-142. Stone, Wilbur Macey. The Divine and Moral Songs of Isaac Watts: An Essay thereon and a tentative List of Editions. New York: The Triptych, 1918.
The open-question argument is a philosophical argument put forward by British philosopher G. E. Moore in §13 of Principia Ethica (1903), [1] to refute the equating of the property of goodness with some non-moral property, X, whether natural (e.g. pleasure) or supernatural (e.g. God's command).
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2] Themes are often distinguished from premises.
The definition stage of the Potter Box concerns the facts of the issue at hand. Here is where the analyst should set out all facts without making judgments or hiding any facts. Example: Using a photograph of a car wreck to promote safe driving, making it visible to the target viewers.
Children's non-fiction literature (also called informational) is the meeting of the genres children's literature and non-fiction. Its primary function is to describe, inform, explain, persuade, and instruct about aspects of the real world, but much non-fiction also entertains.
This list of the most commonly challenged books in the United States refers to books sought to be removed or otherwise restricted from public access, typically from a library or a school curriculum. This list is primarily based on U.S. data gathered by the American Library Association 's Office for Intellectual Freedom (OIF), which gathers data ...
Revenge and vendetta are appropriate activities for heroes. The gods that appear in such epics are not defenders of moral values but are capricious forces of nature and are to be feared and propitiated. [2] More strictly ethical claims are found occasionally in the literature of ancient civilizations that is aimed at lower classes of society.
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