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Taxidermy art and science; Torrington Gopher Hole Museum This page was last edited on 16 July 2016, at 17:33 (UTC). Text is available under the Creative Commons ...
The word taxidermy describes the process of preserving the animal, but the word is also used to describe the end product, which are called taxidermy mounts or referred to simply as "taxidermy". [ 1 ] The word taxidermy is derived from the Ancient Greek words τάξις taxis (order, arrangement) and δέρμα derma (skin). [ 2 ]
As documented in Frederick H. Hitchcock's 19th-century manual entitled Practical Taxidermy, the earliest known taxidermists were the ancient Egyptians and despite the fact that they never removed skins from animals as a whole, it was the Egyptians who developed one of the world's earliest forms of animal preservation through the use of injections, spices, oils, and other embalming tools. [3]
Tales of furry fish date to the 17th-century and later the "shaggy trout" of Iceland. The earliest known American publication dates from a 1929 Montana Wildlife magazine article by J.H. Hicken. A taxidermy furry trout produced by Ross C. Jobe is a specimen at the Royal Museum of Scotland ; it is a trout with white rabbit fur "ingeniously" attached.
Sarina Brewer is a Minneapolis-based American artist known for her avant-garde taxidermy sculpture and her role in the popularization of taxidermy-related contemporary art. [1] Brewer is one of the individuals responsible for the formation of the genre of Rogue Taxidermy , [ 2 ] [ 3 ] a variety of mixed media art .
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The conservation of taxidermy is the ongoing maintenance and preservation of zoological specimens that have been mounted or stuffed for display and study. Taxidermy specimens contain a variety of organic materials, such as fur, bone, feathers, skin, and wood, as well as inorganic materials, such as burlap, glass, and foam.
The British tabloid newspaper The Sun ran a story titled "£50,000 for fish without chips." [8] The show also included Hirst's artwork A Thousand Years. He was then nominated for the Turner Prize, but it was awarded to Grenville Davey. Saatchi sold the work in 2004 to Steven A. Cohen for an estimated $8 million. [8]
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