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The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity .
The right arm of the goddess and the upper part of the head, as well as the legs and the left arm of Eros, had to be reattached as they were broken off. Eros's right arm is missing. Pan's right leg and horns also had to be reattached. Three fingers of Aphrodite's left hand and the middle finger of her right hand were supplemented with plaster.
The following is a family tree of gods, goddesses, ... Aphrodite [b] the Hecatonchires: the Cyclopes: Echidna: the Hesperides [c] the Keres: the Moirae: Charon ...
Aphrodite (/ ˌ æ f r ə ˈ d aɪ t iː / ⓘ, AF-rə-DY-tee) [a] is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, procreation, and as her syncretized Roman counterpart Venus, desire, sex, fertility, prosperity, and victory.
A mural of Venus Anadyomene, with the goddess wringing her hair, from the Casa del Principe di Napoli in Pompeii. According to Greek mythology, Aphrodite was born as an adult woman from the sea off Paphos in Cyprus, which also perpetually renewed her virginity. A motif of the goddess wringing out her hair is often repeated.
Art deities are a form of religious iconography incorporated into artistic compositions by many religions as a dedication to their respective gods and goddesses. The various artworks are used throughout history as a means to gain a deeper connection to a particular deity or as a sign of respect and devotion to the divine being.
The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus. Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is missing both arms. The original position of these missing arms is uncertain.
Aphrodite Anadyomene ("Aphrodite Rising from the Sea"), showing the goddess rising from the sea (not the painting he was working on when he died, but an earlier painting), for which Pliny the Elder relates the tradition he used a former mistress of Alexander, Campaspe, as his model for Aphrodite.