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Poster board: A poster is a very simple and easy visual aid. Posters can display charts, graphs, pictures, or illustrations. The biggest drawback of using a poster as a visual aid is that often a poster can appear unprofessional. Since a poster board paper is relatively flimsy, often the paper will bend or fall over.
Media, or mediums, are the core types of material (or related other tools) used by an artist, composer, designer, etc. to create a work of art. [1] For example, a visual artist may broadly use the media of painting or sculpting, which themselves have more specific media within them, such as watercolor paints or marble.
The 1960s saw the rise of pop art and protest movements throughout the West; both made great use of posters and contributed to the revitalization of posters at this time. Perhaps the most acclaimed posters were those produced by French students during the so-called, " événements ", of May 1968.
Graphic communication involves the use of visual material to relate ideas such as drawings, photographs, slides, and sketches. The drawings of plans and refinements and a rough map sketched to show the way could be considered graphical communication. Graphic Design focuses on development of concepts and creation of visuals.
The use of graphics for overtly political purposes—cartoons, graffiti, poster art, flag design, etc.—is a centuries-old practice which thrives today in every part of the world. The Northern Irish murals are one such example. A more recent example is Shepard Fairey's 2008 U.S. presidential election Barack Obama "Hope" poster. It was first ...
Different techniques can be used to create physical texture, which allows qualities of visual art to be seen and felt. This can include surfaces such as metal, sand, and wood. Optical texture is when the illusion of physical texture is created. Photography, paintings, and drawings use visual texture to create a more realistic appearance. [5]
Chiaroscuro – using strong contrasts between light and dark to achieve a sense of volume in modeling three-dimensional objects such as the human body. Gesture Drawing - loose drawing or sketching with the wrists moving, to create a sense of naturalism of the line or shape, as opposed to geometric or mechanical drawing; Grisaille –
The second section of the book contains examples of posters by his contemporaries, including E. McKnight Kauffer, Charles Loupot, Kató Lukáts and Hanns Wagula. The posters illustrate concepts including the use of color to create mood, historical atmosphere, a sense of style or the illusion of depth. [9]