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Here the horse is alone and in a natural state, producing a "romantic study in solitude and liberty". [7] Like many of Stubbs's other paintings of horses and other animals in the wild, including several versions of a horse attacked by a lion perched on its back, the painting is an early intimation of Romanticism , as well as a challenge to the ...
Lexington (March 17, 1850 – July 1, 1875) was a United States Thoroughbred race horse who won six of his seven race starts. Perhaps his greatest fame, however, came as the most successful sire of the second half of the nineteenth century; he was the leading sire in North America 16 times, and broodmare sire of many notable racehorses.
Wildenstein was a major figure in European horse racing, a four-time winner of the Prix de l'Arc de Triomphe and six times France's leading owner. His horses, many of which he bred, raced under the name of the Allez France Stables and captured many of the most important races in France, the United Kingdom and the United States.
Edgar Degas, Before the Race, 1882–1884, oil on panel, The Walters Art Museum, Baltimore Eadweard Muybridge's Animal Locomotion features an animated sequence of a race horse galloping, using photos published in 1887. Thoroughbred racing was an inspiration for Romantic and Impressionist artists of the 19th century.
National Gallery: The Cornfield: 1826 National Gallery: The Hay Wain: 1821 National Gallery: Malvern Hall: 1821 Clark Art Institute: Cottage at East Bergholt: 1833 Lady Lever Art Gallery: Boat-Building Near Flatford Mill: 1815 Victoria and Albert Museum: Cenotaph to the Memory of Sir Joshua Reynolds: 1836 National Gallery: Chain Pier, Brighton ...
George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough.
The Steeplechase Gallery, covering the history of steeplechase racing in America; The von Stade Gallery, which displays a selection of paintings, works on paper, or photographic prints from the Museum Collection; The Peter McBean Gallery, which houses temporary exhibitions, a semi-permanent Hall of Fame Heroes exhibition and seasonal exhibitions.
The horse's bodies are held in a strong blue, the landscape and sky have red and purple tones that do not correspond to reality. The paintings Blue Horse I and Blue Horse II were also created in 1911. In all of the horse pictures of this time, Marc turns blue from an “appearance colour” to an “essential colour”.
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