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"Graffiti 2 Powered by Jot" [1] was introduced in 2003 as a revised version of the original Palm OS handwriting system Graffiti. In January 2003, PalmSource announced the change explaining that Graffiti 2 was based on Jot by Communication Intelligence Corporation (CIC) and would replace the original version of Graffiti. [ 1 ]
The result was that the council treated graffiti as vandalism. [8] The Council has since revised the policy on graffiti, aiming to keep street art that is popular and unoffensive because it attracts tourism. [9] (reference no longer valid) In May 2010 Ben Eine painted a complete alphabet on Middlesex Street in East London.
Wildstyle is a complicated and intricate form of graffiti, the most complex type of graffiti piece. Due to its complexity, wildstyle can be difficult to read for those unfamiliar with the form and process. [1] [2] It is considered the most difficult graffiti style to master. [3] A semi-wildstyle using the word RASE
Philly letters are usually difficult to read for those outside the graffiti community due to this abstraction and stylisation of the letters. Pichação is a handstyle developed in São Paulo. This handstyle is distinctively cryptic and has a dark aesthetic. The letters are usually painted vertically, while free climbing or rappeling off buildings.
Faile (USA/Canada/Japan) - stencil graffiti, street poster art, screenprinting; Ray Ferrer (USA) - spray paint, hand-cut stencils; Josh MacPhee (USA) - stencil graffiti, street poster art, screenprinting; Scott Williams (USA) Christopher Wool (USA) Shepard Fairey (USA) - stencil graffiti, street poster art, screenprinting, political art
Throw ups are typically the writer's moniker in large "bubble-letters", with or without a fill. Throw ups without fills are called hollows. [3] Throw ups are sometimes done using only the first two or three letters of the moniker in a throw up to quicken the process, especially if the writer uses a longer name.
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Calligraffiti artist, Tubs, explains that the art form's graffiti component forces the artist to reflect upon and consciously create a piece that will arouse a specific feeling or reaction in the viewer. [16] However, the use of the alphabet as an artistic medium [17] demands practice, accuracy, and foresight.