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Line art or line drawing is any image that consists of distinct straight lines or curved lines placed against a background (usually plain). Two-dimensional or three-dimensional objects are often represented through shade (darkness) or hue . Line art can use lines of different colors, although line art is usually monochromatic.
There are different types of lines artists may use, including, actual, implied, vertical, horizontal, diagonal and contour lines, which all have different functions. [3] Lines are also situational elements, requiring the viewer to have knowledge of the physical world in order to understand their flexibility, rigidity, synthetic nature, or life. [1]
A beam compass and a regular compass Using a compass A compass with an extension accessory for larger circles A bow compass capable of drawing the smallest possible circles. A compass, also commonly known as a pair of compasses, is a technical drawing instrument that can be used for inscribing circles or arcs.
The fully anglicised word pentiment (plural pentiments) is much rarer, though included in the Grove Dictionary of Art. The distinction between singular and plural is also rather flexible; some writers refer to a change of just one outline as pentimenti , whilst others treat each area that has been changed as a single pentimento .
Another use of line in graphics is the ability to help suggest a tone or feeling in a work. Vertical lines can be used to create a sense of strength or stability. An example of this could be a row of trees in a picture creating a series of vertical lines. Horizontal lines can be used to create a feeling of calm, peace or passiveness.
In the visual arts, shape is a flat, enclosed area of an artwork created through lines, textures, or colours, or an area enclosed by other shapes, such as triangles, circles, and squares. [1] Likewise, a form can refer to a three-dimensional composition or object within a three-dimensional composition. [2]
Serpentine lines from Hogarth's The Analysis of Beauty. Line of beauty is a term and a theory in art or aesthetics used to describe an S-shaped curved line (a serpentine line) appearing within an object, as the boundary line of an object, or as a virtual boundary line formed by the composition of several objects.
The opposite of painterly is linear, plastic or formal linear design. [1] Linear could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic (rather than impulsive) use of color.