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A low relief carving of a Viking ship Carving tools and a mallet. In wood carving relief carving is a type in which figures or patterns are carved in a flat panel of wood; the same term is also used for carving in stone, ivory carving and various other materials. The figures project only slightly from the background rather than standing freely.
Wood carving. Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual ...
An English oak chest with complex linenfold panels. Linenfold (or linen fold) is a simple style of relief carving used to decorate wood panelling with a design "imitating window tracery", [1] "imitating folded linen" [2] or "stiffly imitating folded material". [3] Originally from Flanders, the style became widespread across Northern Europe in ...
Wood-carving examples of the first eleven centuries of CE are rare due to the fact that woods do decay easily in 1,000 years. The carved panels of the main doors of St Sabina on the Aventine Hill, Rome, are very interesting specimens of early Christian relief sculpture in wood, dating, as the dresses show, from the 5th century. The doors are ...
Leather-covered sandbag, wood blocks and tools (burins), used in wood engraving. Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut, it uses relief printing, where the artist applies ink to the face of the block and prints using relatively low pressure.
His large mastaba is renowned for its well-preserved wall paintings and relief panels made from imported Lebanese cedar, which are today considered masterpieces of Old Kingdom wood carving. The mastaba itself is the earliest example of a painted tomb from the Old Kingdom and the only known example from the Third Dynasty.
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