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A reviewer in Publishers Weekly notes that McCallum's Madwoman is dynamic and unpredictable; the collection investigates identity and the lack of control a woman, especially a biracial woman, has over it. The reviewer cites from the poem "Red" and comments, "identity [is] an heirloom, a force that imprints on a lineage of women".
[15] While it is difficult to ascertain from these oral traditions whether the authors of early texts were male or female, precolonial native poetry certainly addresses issues relevant to women in a sensitive and positive way, for example the Seminole poem, 'Song for Bringing a Child Into the World.' [16] In fact, native poetry is a separate ...
Although some argue that we live in a post-feminist society, that women have achieved equality, today this poem still speaks great volumes regarding the ways in which hegemonic femininity is still perceived and the tokenism people of various racial, sexual, religious, class, socio-economic status are portrayed as in Western popular culture and ...
Borderlands/La Frontera is a semi-autobiographical work of prose and poetry, approaching subjects such as race, gender, class, and identity. Literary scholar Ana Louise Keating conceptualizes Anzaldúa’s writings in Borderlands as a form of “poet-shaman aesthetics,” which argues that Anzaldúa’s words are intended to have material ...
This play, her most famous work, was a 20-part choreopoem — a term Shange coined to describe her groundbreaking dramatic form, combining of poetry, dance, music, and song [18] — that chronicled the lives of women of color in the United States. The poem was eventually made into the stage play, was then published in book form in 1977.
he tales were scrubbed further and the Disney princesses -- frail yet occasionally headstrong, whenever the trait could be framed as appealing — were born. In 1937, . Walt Disney's "Snow White and the Seven Dwarves" was released to critical acclaim, paving the way for future on-screen adaptations of classic tales.
Adrienne Cecile Rich (/ ˈ æ d r i ə n / AD-ree-ən; May 16, 1929 – March 27, 2012) was an American poet, essayist and feminist.She was called "one of the most widely read and influential poets of the second half of the 20th century", [1] [2] and was credited with bringing "the oppression of women and lesbians to the forefront of poetic discourse". [3]
The first is the common identity, which is the one that has been imposed on us [30] by a long history of societal standards, controlling images, pressure, a variety of stereotypes, and stratification. The second identity is the individual identity that we have chosen [30] once we are given the chance and feel are ready to expose our true selves.