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A white road crosses the canvas. On the road a little carriage and white houses with stark red roofs beside this road. Fine rain streaks the whole with blue or grey lines. The painting is in the collection of the Pushkin Museum of Fine Arts, Moscow. [8]
The black-and-red broadbill (Cymbirhynchus macrorhynchos) is a species of bird in the typical broadbill family, Eurylaimidae. It is the only species in the genus Cymbirhynchus. A large, distinctive bird, it has maroon underparts, black upperparts, a maroon neck-band, and white bars on the wings. It also has a large, two-colored, blue-and-yellow ...
The red-crested cardinal is a medium-sized species showing a red head, with a red bib and a short red crest that the bird raises when excited. Belly, breast, and undertail are white, with a gray back, wings, and tail. Wing coverts are gray, but the primaries, secondaries, and rectrices show a darker gray.
Coach of a noble family, c. 1870 The word carriage (abbreviated carr or cge) is from Old Northern French cariage, to carry in a vehicle. [3] The word car, then meaning a kind of two-wheeled cart for goods, also came from Old Northern French about the beginning of the 14th century [3] (probably derived from the Late Latin carro, a car [4]); it is also used for railway carriages and in the US ...
The Gold State Coach is an enclosed, eight-horse-drawn carriage used by the British royal family. Commissioned in 1760 by Francis Rawdon-Hastings, 1st Marquess of Hastings for King George III, and designed by Sir William Chambers, it was built in the London workshops of Samuel Butler. It was commissioned for £7,562 (£3.54 million = US$4.188 ...
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Measuring 12–14 cm (4.7–5.5 in) long, the flame robin has dark brown eyes and a small thin black bill. The male has a brilliant orange-red chest and throat, and a white patch on the forehead above the bill. Its upper parts are iron-grey with white bars, and its tail black with white tips. Female coloration is a muted grey-brown.
Axel Schmitt thinks that The Red Bird is a very sad story, which is nevertheless one of the best fairy tales from Astrid Lindgren, and that the enchanting illustrations by Marit Törnqvist are an ingenious implementation of the story. He states that like sun, shadows are part of life, laughing and suffering belong to the life.