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The poem "Li Sao" is in the Chuci collection and is traditionally attributed to Qu Yuan [a] of the Kingdom of Chu, who died about 278 BCE.. Qu Yuan manifests himself in a poetic character, in the tradition of Classical Chinese poetry, contrasting with the anonymous poetic voices encountered in the Shijing and the other early poems which exist as preserved in the form of incidental ...
Makurakotoba are most familiar to modern readers in the Man'yōshū, and when they are included in later poetry, it is to make allusions to poems in the Man'yōshū.The exact origin of makurakotoba remains contested to this day, though both the Kojiki and the Nihon Shoki, two of Japan's earliest chronicles, use it as a literary technique.
The Shoku Nihongi (797 AD) is an early history of Japan compiled in 797. A section of the book covering the year 723 is notable [citation needed] for an early [citation needed] use of the term "bushi" in Japanese [citation needed] literature and a reference to the educated warrior-poet ideal:to create a folktale
"Xiang River Goddesses" (Xiang Jun), poem number 3 of 11 in the Nine Songs section, in an annotated version of Chu Ci, published under title Li Sao, attributed to Qu Yuan and illustrated by Xiao Yuncong. Jiu Ge, or Nine Songs, (Chinese: 九歌; pinyin: Jiǔ Gē; lit. 'Nine Songs') is an ancient set of poems.
He is considered to have initiated the so-called sao style of verse, which is named after his work Li Sao, in which he abandoned the classic four-character verses used in poems of Shi Jing and adopted verses with varying lengths. This resulted in poems with more rhythm and latitude in expression.
The 10th-century Japanese narrative, The Tale of the Bamboo Cutter (Taketori Monogatari), can be considered an early example of proto-science fiction. The protagonist of the story, Kaguya- hime , is a princess from the Moon who is sent to Earth for safety during a celestial war, and is found and raised by a bamboo cutter.
Section of the earliest extant complete manuscript of the Kokinshū (Gen'ei edition, National Treasure); early twelfth century; at the Tokyo National Museum The Kokin Wakashū (古今和歌集, "Collection of Japanese Poems of Ancient and Modern Times"), commonly abbreviated as Kokinshū (古今集), is an early anthology of the waka form of Japanese poetry, dating from the Heian period.
The characters used to write omoro, for example (おもろ), would be written this same way, but pronounced as umuru in Okinawan. The poetry contained in the volumes extends from the 12th century, or possibly earlier, to some composed by the Queen of Shō Nei (1589-1619). Though formally composed and recorded at these times, most if not all are ...