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Notation of melody and chords for the hymn. [1]Agni Parthene (Greek: Ἁγνὴ Παρθένε), rendered "O Virgin Pure" or "O Pure Virgin", is a Greek Marian hymn composed by St. Nectarios of Aegina in the late 19th century, first published in print in his Theotokarion (Θεοτοκάριον, ἤτοι προσευχητάριον μικρόν) in 1905.
The chant genre offertorium in traditions of Western plainchant was basically a copy of the Byzantine custom, but there it was a proper mass chant which changed regularly. [ 3 ] Although its liturgical concept already existed by the end of the 4th century (see the homily by Chrysostom quoted here), the cherubikon itself was created 200 years ...
Ton Despotin is an acclamation chanted by the cantor or choir in honour of a bishop when he gives a blessing in the Eastern Orthodox and Byzantine Catholic churches. While the Divine Liturgy may be chanted in any language, Ton Despotin is almost always chanted in the original Greek. The words in Greek are:
Nothing in Orthodox worship is simply said; it is always sung or chanted. Chanting in the Orthodox tradition can be described as being halfway between talking and singing; it is musical but not music. Only a few notes are used in chanting, and the chanter reads the words to these notes at a steady rhythm.
Old Testament Trinity icon by Andrei Rublev, c. 1400 (Tretyakov Gallery, Moscow). The Trisagion (Greek: Τρισάγιον; 'Thrice Holy'), sometimes called by its incipit Agios O Theos, [1] is a standard hymn of the Divine Liturgy in most of the Eastern Orthodox, Western Orthodox, Oriental Orthodox, and Eastern Catholic churches.
Full of strong emotional feelings, it is one of "the most beloved hymns of the Orthodox". [1] Known in English as the "Threnody at the Tomb", its other Greek name, Encomia Epitafiou (Greek: Εγκώμια επιταφίου), "Praises of the Tomb", could assimilate it with a form of encomium or praise rather than lament.
Students of Orthodox chant today often study the history of Byzantine chant in three periods, identified by the names John of Damascus (675/676-749) as the "beginning", John Koukouzeles (c. 1280–1360) as the "flower" (Papadic Octoechos), and Chrysanthos of Madytos (c. 1770-c. 1840) as the master of the living tradition today (Neobyzantine Octoechos).
However, the Orthodox Easter Vigil has been broadcast on radio and television for decades, and so the troparion gradually became well-known to non-Orthodox Finns. In 1986, the Evangelical Lutheran Church of Finland – the largest religious denomination in the country — added the troparion to its revised official hymnal , where it is hymn ...