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Here, the refrain is syntactically independent of the narrative poem in the song, and has no obvious relationship to its subject, and indeed little inherent meaning at all. The device can also convey material which relates to the subject of the poem. Such a refrain is found in Dante Gabriel Rossetti's "Troy Town": [1]
The sentence can be read as "Reginam occidere nolite, timere bonum est, si omnes consentiunt, ego non. Contradico." ("don't kill the Queen, it is good to be afraid, even if all agree I do not. I object."), or the opposite meaning "Reginam occidere nolite timere, bonum est; si omnes consentiunt ego non contradico.
[2] [3] One of the most famous opening lines, "It was the best of times, it was the worst of times", starts a sentence of 118 words [4] that draws the reader in by its contradiction; the first sentence of the novel, Yes even contains 477 words. Moby-Dick's "Call me Ishmael." is an example of a short opening sentence.
A rather far-flung example of inclusio in the Book of Jeremiah can be found in its first section, chapters 1–24, which are enveloped both by a similar question in the first and last episode (1:11, 24:3), and by similar imagery—that of almond rods and baskets of figs. Inclusio may also be found between chapters 36 and 45, both of which ...
The refrain must be identical with the beginning of the first line: it may be a half-line, and rhymes with the second line. It has three stanzas and its rhyme scheme is as follows: A B A R ; B A B ; A B A R ; where R is the refrain. Swinburne had published a book A Century of Roundels. [1]
Allegory: an extended metaphor in which the characters, places, and objects in a narrative carry figurative meaning. Often, the meaning of an allegory is religious, moral, or historical in nature. Example: "The Faerie Queene" by Edmund Spenser. [1] Periphrasis: the usage of multiple separate words to carry the meaning of prefixes, suffixes or ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
One can briefly state a good hook in one or two sentences, introducing the protagonist, the conflict that drives the story, and what the protagonist will achieve with either triumph or defeat. The "hook" is the viewer's own question of whether the conflict can be resolved, so a screenwriter might want to test the hook by turning it into a question.