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Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
For organ works, POP catalogue numbers are provided, from catalogue by Antoine Bouchard for his 1998–2001 recording of Pachelbel's organ oeuvre (this catalogue only covers organ works). Perreault numbers are used as the basis of the list, making individual sections organized alphabetically (i.e. the chorales) and/or by tonality.
The musically "lazy" chord structure viewed in combination with the meta-lyrics reveal the true extent of what a critic for The A.V. Club describes as song's "genius": "the commentary is a big joke about how listeners will like just about anything laid on top of the chords of the infinitely clichéd Pachelbel canon, even lyrics that openly mock ...
An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and ...
the Canon is famously difficult to pin to a timeline, so I'll just add Pachelbel's lifespan. "Pachelbel's Canon, a musical composition by Johann Pachelbel" sounds incredibly awkward. Drop the "musical"—in fact, I would just say something like "Johann Pachelbel wrote his Canon in D in the mid-Baroque.... and it has since been...". See what you ...
George Frideric Handel: second movement of his Organ Concerto in G minor, Op. 7, No. 5, HWV 310, is a set of variations on Pachelbel's Canon; George Rochberg: a movement from String Quartet No. 6 is a set of variations on Pachelbel's Canon; Graham Waterhouse: Variations on a Theme by Pachelbel, Op. 6 (organ)
Pachelbel's Canon also uses a similar sequence of notes in the bass part: Pachelbel's Canon Ground bass of Pachelbel's Canon. Two pieces by J.S.Bach are particularly striking for their use of an ostinato bass: the Crucifixus from his Mass in B minor and the Passacaglia in C minor for organ, which has a ground rich in melodic intervals:
Piano Concerto in C♯ minor, Op. 30 (1905) Sigismond Thalberg. Piano Concerto in F minor, Op. 5; Ferdinand Thieriot (1838–1919) Piano Concerto No. 1 in B-flat (1885) Piano Concerto No. 2 in C minor (1904) Ludwig Thuille. Piano Concerto in D major (1882) Michael Tippett. Piano Concerto (1955) Fantasy on a Theme by Handel (1942) Loris Tjeknavorian
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