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One of the earliest to integrate psychology with art history was Heinrich Wölfflin (1864–1945), a Swiss art critic and historian, whose dissertation Prolegomena zu einer Psychologie der Architektur (1886) attempted to show that architecture could be understood from a purely psychological (as opposed to a historical-progressivist) point of view.
Positioning theory is explicitly consistent with Vygotskian approaches to learning and teaching, and is applicable to educational research with its emphasis on individual and social attributes. [4] Vygotsky theorized that positive social support can lead to an individual attaining higher mental functioning. [ 9 ]
Lusebrink's background included experience teaching art and volunteering at a state facility in California that served psychiatric populations. While at this institution she facilitated art therapy sessions and conducted research on individuals who had schizophrenia. She became involved in a study that examined the progression of schizophrenia ...
For example, desires to preserve ecological or architectural characteristics of a place have a direct impact on the strength of place attachment felt by individuals, notably through self-pride and self-esteem. [10] People experience stronger attachments to places that they can identify with or otherwise feel proud to be a part of.
In narrative films, plots are guided by camera placement and movement, dialogue, sound effects, and editing. Some aspects of film are driven by bottom-up or sensory guided factors (such as light, motion or sound), whereas other aspects depend more on top-down or conceptually driven factors, like past experiences and internal motivations.
These contributors may publish in a variety of journals, including journals for general psychology, like American Psychologist. There are several journals dedicated specifically to theoretical psychology, like Theory & Psychology and Journal of Theoretical and Philosophical Psychology. Many other organizations are beginning to recognize ...
In psychology of art, the relationship between art and emotion has newly been the subject of extensive study thanks to the intervention of esteemed art historian Alexander Nemerov. Emotional or aesthetic responses to art have previously been viewed as basic stimulus response, but new theories and research have suggested that these experiences ...
Art and Illusion, A Study in the Psychology of Pictorial Representation, is a 1960 book of art theory and history by Ernst Gombrich, derived from the 1956 A. W. Mellon Lectures in the Fine Arts.