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Festus Claudius "Claude" McKay OJ (September 15, 1890 [1] – May 22, 1948) was a Jamaican-American writer and poet. He was a central figure in the Harlem Renaissance.. Born in Jamaica, McKay first travelled to the United States to attend college, and encountered W. E. B. Du Bois's The Souls of Black Folk which stimulated McKay's interest in political involvement.
"If We Must Die" is a poem by Jamaican-American writer Claude McKay (1890–1948) published in the July 1919 issue of The Liberator magazine. McKay wrote the poem in response to mob attacks by white Americans upon African-American communities during the Red Summer. The poem does not specifically reference any group of people, and has been used ...
The Harlem Renaissance, also known as the New Negro Movement, was a cultural, social, and artistic explosion centered in Harlem, New York, and spanning the 1920s.This list includes intellectuals and activists, writers, artists, and performers who were closely associated with the movement.
By the end of the First World War, the fiction of James Weldon Johnson and the poetry of Claude McKay were describing the reality of contemporary African-American life in America. The Harlem Renaissance grew out of the changes that had taken place in the African-American community since the abolition of slavery, as the expansion of communities ...
Among the many recipients of the awards in literature and the fine arts were Claude McKay, Hale Woodruff, Palmer Hayden, Archibald Motley (his winning piece was The Octoroon Girl), Countee Cullen and Langston Hughes. The awards were closely associated with an annual Exhibition of the Work of Negro Artists, conceived by Mary Brady.
Claude McKay First award and Gold medal. Nella Larsen Imes, Second award and Bronze medal. Education. Monroe Work. John Manuel Gandy, Second award and Bronze medal. Industry, including business. S.W. Rutherford, First award and Gold medal. Frederick Massiah, Second award and Bronze medal. Religious services. Lacey Kirk Williams, First award and ...
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McKay's book, The Negroes in America (published in Russian in 1924 but not in the U.S. until 1979) argued, against the official Communist position of the time, that the oppression of black people in the U.S. was not reducible to economic oppression, but was unique. He argued against the color blindness that the Communists had inherited from the ...