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"And When I Die" is a song written by American singer and songwriter Laura Nyro. It was first recorded by the folk group Peter, Paul and Mary in 1966. Nyro released her own version on her debut album More Than a New Discovery in February 1967. The song is best known for the next version, recorded by the jazz-rock group Blood, Sweat & Tears in
"You've Made Me So Very Happy" is a song written by Brenda Holloway, Patrice Holloway, Frank Wilson and Berry Gordy, and was released first as a single in 1967 by Brenda Holloway on the Tamla label. The song was later a huge hit for jazz-rock band Blood, Sweat & Tears in 1969, and became a Gold record.
In Clayton-Thomas's 2010 autobiography, Blood, Sweat and Tears, he wrote that the Joni Mitchell song "The Circle Game" inspired some of the lyrics. They lived across the hall from one another in Yorkville, the bohemian rock music epicenter of Toronto similar to Greenwich Village in Manhattan at the same time. He claimed a long-unrequited crush ...
B, S & T; 4 (also expanded as Blood, Sweat & Tears; 4) is the fourth album by the band Blood, Sweat & Tears, released in June 1971. It peaked at number 10 on the Billboard Pop albums chart. The band invited former member Al Kooper to contribute the song "John the Baptist (Holy John)".
This is a list of songs written by the American gospel songwriter Dottie Rambo. Rambo wrote over 2500 songs throughout her lifetime, and many have been recorded by hundreds of artists. [1] Songs are listed in alphabetical order and followed in parentheses by other notable artists who have recorded or performed the song.
"In the Blood" is a song by American alternative rock group Better Than Ezra. It was released in June 1995 as the second single from the band's major-label debut album Deluxe . The song peaked at number four on the Billboard Modern Rock Tracks chart and number six on the Mainstream Rock Tracks chart.
"Sunday Bloody Sunday" is played at a tempo of 103 beats per minute in a 4 4 time signature. [13] The song opens with a militaristic drumbeat and electric violin part; the aggressive snare drum rhythm closely resembles a beat used to keep a military band in step.
Author Chris Welch praises the rhythm section of Sting and Stewart Copeland on the song, particularly the way they go with the flow and groove with ease. [2] Sounds critic Phil Sutcliffe commented on its "expression of melancholy", noting that it maintains a restrained, dry tone that is able to project sadness without being overly demonstrative. [3]