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Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive. In addition, these meanings are alluded to in older pictures, songs and writings.
Longleaf pine (Pinus palustris) is a pyrophile, depending on fire to clear the ground for seed germination. [4] The passage of fire, by increasing temperature and releasing smoke, is necessary to raise seeds dormancy of pyrophile plants such as Cistus and Byblis an Australian passive carnivorous plant. Imperata cylindrica is a plant of Papua ...
Mimosa pudica (also called sensitive plant, sleepy plant, [citation needed] action plant, humble plant, touch-me-not, touch-and-die, or shameplant) [3] [2] is a creeping annual or perennial flowering plant of the pea/legume family Fabaceae. It is often grown for its curiosity value: the sensitive compound leaves quickly fold inward and droop ...
The earliest recorded observation of this behavior in plants dates back to 324 BC when Androsthenes of Thasos, a companion to Alexander the Great, noted the opening and closing of tamarind tree leaves from day to night. [15] Carl Linnaeus (1729) proposed that this was the plants sleeping, but this idea has been widely contested.
Sacred trees and groves are mentioned throughout the history of the ancient Germanic people, from their earliest attestations among Roman scribes to references made by medieval Christian monks. Notable examples of sacred trees and groves in the historical record among the ancient Germanic peoples include the following:
Fouquieria splendens (commonly known as ocotillo / ɒ k ə ˈ t iː j oʊ / (Latin American Spanish:), but also referred to as buggywhip, coachwhip, candlewood, slimwood, desert coral, Jacob's staff, Jacob cactus, and vine cactus) is a plant indigenous to the Mojave Desert, Sonoran Desert, Chihuahuan Desert and Colorado Desert in the Southwestern United States (southern California, southern ...
As the fashion spread to smaller gardens, linear shrub borders covered up walls and fences, and were typically underplanted with smaller herbaceous flowering plants. By the late 20th century, shrubs, trees and smaller plants tend to be mixed together in the most visible parts of the garden, hopefully blending successfully.
The trunk is smoothly cylindrical and green or grey-green in colour, often tapering unbranched to the very tip of the tree. Leaves have long petioles [6] and measure up to 30 cm (12 in) x 25 cm (9.8 in). They are glossy green, glabrous, simple, alternate, and highly variable in shape—they may be entire and ovate or up to 5-lobed. [3] [7]