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A man playing the violin. It is possible to play the violin holding it in a variety of ways. Most players hold the lower bout of the instrument between the left shoulder and the jaw, often assisted by a semi-permanently attached chinrest and detachable shoulder rest. If held properly under the chin, the violinist can let go of the instrument ...
Cross tuning or cross-tuning (aka scordatura) is an alternative tuning used for the open strings of a string instrument.The term refers to the practice of retuning the strings; it also refers to the various tunings commonly used, or in some contexts it may refer to the AEAE fiddle tuning.
Violin pegbox, retouched image Medieval bone tuning pin. One end is pierced for the string; the other is squared off to fit in a tuning lever socket. The middle section, which would pass through the wood, is tapered. A variety of methods are used to tune different stringed instruments.
The pitches of open strings on a violin. Play ⓘ. In music, the term open string refers to the fundamental note of the unstopped, full string.. The strings of a guitar are normally tuned to fourths (excepting the G and B strings in standard tuning, which are tuned to a third), as are the strings of the bass guitar and double bass.
To tune a violin, the A string is first tuned to a standard pitch (usually A=440 Hz). (When accompanying or playing with a fixed-pitch instrument such as a piano or accordion, the violin tunes to the corresponding note on that instrument rather than to any other tuning reference.
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All violin alternate tunings may be adapted for the mandolin Standard instrument of the mandolin family. Mandolinetto: 8 strings 4 courses. G 3 G 3 •D 4 D 4 •A 4 A 4 •E 5 E 5: USA and Canada A guitar-shaped mandolin, or mandolin neck on ukulele body. Mandolin, Octave: 8 strings 4 courses. Standard/common: G 2 G 2 •D 3 D 3 •A 3 A 3 ...
Violin with strings crossed for Biber's Resurrection sonata. Heinrich Ignaz Franz Biber's Rosary Sonatas for violin and continuo (c. 1674). Aside from the first ("Annunciation") and last works ("Passacaglia", for solo violin) of this collection, wherein the instrument is set to the common G-D-A-E tuning, the violin for each sonata is tuned to a different array of pitches.
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