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In Greek mythology, Enyo (/ ɪ ˈ n aɪ oÊŠ /; Ancient Greek: ἘνυÏŽ, romanized: Enȳṓ) is a war-goddess, frequently associated with the war-god Ares. The Romans identified her with Bellona. [1] Enyo is also the name of one of the Graeae, one of three grey-haired sisters who share an eye and a tooth.
In December 2007, the sale of the Guennol Lioness, a statue from around 3000 BC, nearly doubled the previous record price when it sold for $57.2 million. It is the fifth-most valuable sculpture to date (2018) and the most valuable piece from antiquity.
Carving stone into sculpture is an activity older than civilization itself, beginning perhaps with incised images on cave walls. [1] Prehistoric sculptures were usually human forms, such as the Venus of Willendorf and the faceless statues of the Cycladic cultures of ancient Greece.
19th century engraving of the Colossus of Rhodes. Ancient Greek literary sources claim that among the many deities worshipped by a typical Greek city-state (sing. polis, pl. poleis), one consistently held unique status as founding patron and protector of the polis, its citizens, governance and territories, as evidenced by the city's founding myth, and by high levels of investment in the deity ...
Gods were immortal but could be bound and restrained, both in mythic narrative and in cult practice. There was an archaic Spartan statue of Ares in chains in the temple of Enyalios (sometimes regarded as the son of Ares, sometimes as Ares himself), which Pausanias claimed meant that the spirit of war and victory was to be kept in the city.
A modified copy of the statue (with a head from a different prototype) is known from the Temple of Al-Lat at Palmyra. [122] The statue would originally have been around 2.3 metres tall, including her helmet and dates to ca. 435-430 BC. She wore a long chiton, knotted at her waist.
Enyalius or Enyalios (Greek: Ἐνυάλιος) in Greek mythology is generally a son of Ares by Enyo [citation needed] and also a byname of Ares the god of war. Though Enyalius as a by-name of Ares is the most accepted version, in Mycenaean times Ares and Enyalius were considered separate deities.
The statuettes measure 3–38 cm tall, mostly represent males, and have tangs projecting from their feet that would have allowed them to be placed onto bases. [1] Most wear cone-shaped hats resembling the labbade [10] while some resemble the Egyptian hedjet and others wear helmets, [1] signaling an intensification of relations with Egypt during the Twelfth and Thirteenth Dynasties. [11]
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