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The octave mandolin (US and Canada) or octave mandola (Ireland and UK) is a fretted string instrument with four pairs of strings tuned in fifths, G−D−A−E (low to high). It is larger than the mandola , but smaller than the mandocello and its construction is similar to other instruments in the mandolin family.
The name "Octophone" came from the idea that the instrument could take on the "tone combinations" of eight instruments, the tenor guitar, tenor banjo, ukulele, taro patch, tiple, mandolin, mandola and mandocello. Changing from one instrument to another was a matter of changing the tuning.
A guitar-shaped mandolin, or mandolin neck on ukulele body. Mandolin, Octave: 8 strings 4 courses. Standard/common: G 2 G 2 •D 3 D 3 •A 3 A 3 •E 4 E 4. Alternate: Irish Bouzouki: G 2 G 2 •D 3 D 3 •A 3 A 3 •D 4 D 4. Tenor Mandolin, Irish Bouzouki, Octave mandola (Europe) Pitched 1 octave below the mandolin. Mandolin, piccolo: 8 ...
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The Howe-Orme instrument line comprises several models of guitar and an entire line of mandolin-family instruments including mandolin, tenor mandola, octave mandola, and mando-cello. [4] Howe-Orme instruments were among the first to be produced in the United States in multiple sizes analogous to the members of the violin family. These mandolin ...
The size of these is described by a "conventional" fraction that has no mathematical significance. For example, a 7/8 violin has a scale of about 317 mm, a 3/4-size instrument a scale of 307 mm, a half-size one 287 mm, and a quarter-size one 267 mm. 1/8, 1/10, 1/16 and 1/32 and even 1/64 violins also exist, becoming progressively smaller, but ...
Töpfer reasoned that the cross-sectional area of the pipe was the critical factor, and he chose to vary this by the geometric mean of the ratios 1:2 and 1:4 per octave. This meant that the cross-sectional area varied as :. In consequence, the diameter of the pipe halved after 16 semitone intervals, i.e. on the 17th note (musicians count the ...
A mandolone is a member of the mandolin family, created in the 18th century. It is a bass range version of the Neapolitan mandolin. [1] Its range was not as good as the mandocello, which replaced it in mandolin orchestras, and had largely disappeared in the 19th century.