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The spec script is a Hollywood sales tool with the vast majority of scripts written each year are spec scripts, but only a small percentage make it to the screen. [1] Though a spec script is usually a wholly original work, it can also be an adaptation.
Perhaps one movie a year will be a "spec" script that was purchased. Once the producer and writer have sold their approach to the desired subject matter, they begin to work. However, many writers and producers usually pass before a particular concept is realized in a way that is awarded a green light to production.
The movie did poorly at the box office. [1] However, in 2014 the film was selected for preservation in the National Film Registry. Spec scripts have not always held as much cachet in the business as they do now. Ernest Lehman describes how his original script for the 1959 film North by Northwest was unusual at that point in his career:
If a non-film article already exists with the name of the film that you are trying to create an article for, disambiguate and use (film) in the title: Film Title (film). If a film article already exists with the name of the film that you are trying to create an article for, use (YEAR film) in the title: Film Title (YEAR film).
The original draft treatment is created during the writing process and is generally long and detailed. It consists of full-scene outlines put together. Usually there are between thirty and eighty standard letter size or A4 pages (Courier New 12 point), with an average of about forty pages.
In film and television, a script breakdown is an analysis of a screenplay in which all of the production elements are reduced into lists. Within these lists are, in essence, the foundation of creating a production board, which is fundamental in creating a production schedule and production budget of an entire production of any film or television program in pre-production. [1]
As it is common for scripts to be stuck in development hell, the options for a script may expire and be resold on multiple occasions.As well, producers who purchase an option and rework the script own the rights to their own derivative work, while the original rights holder owns the underlying rights.
The term scriptment was originally coined by filmmaker James Cameron, possibly during his early involvement in the development of the Spider-Man film series. In that effort, after the success of his 1984 film The Terminator, Cameron wrote a 57-page scriptment for the first proposed Spider-Man film, which was used by screenwriter David Koepp to write the first draft, incorporating it nearly ...