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Lab Pe Aati Hai Dua" (Urdu: لب پہ آتی ہے دعا; also known as "Bachche Ki Dua"), is a duʿā or prayer, in Urdu verse authored by Muhammad Iqbal in 1902. [1] The dua is recited in morning school assemblies almost universally in Pakistan , [ 2 ] [ 3 ] and in Urdu-medium schools in India .
An Indonesian Muslim man doing dua. Muslims regard dua as a profound act of worship. Muhammad is reported to have said, "Dua is itself a worship." [3] [4]There is a special emphasis on du'a in Muslim spirituality and early Muslims took great care to record the supplications of Muhammad and his family and transmit them to subsequent generations. [5]
The (English translated) text of the supplication of "Du'a Allahumma kun li-waliyyik al-Hujjatibnil Hasan" is as follows: "O Allah, be, for Your representative, the Hujjat (proof), son of AlHassan, Your blessings be on him and his forefathers, In this hour and in every hour, A guardian, a protector, A leader, a helper, A proof, and an eye.
Abū ʿAbd al-Raḥmān Abd Allah ibn al-Mubarak (Arabic: عَبْد اللَّه ٱبْن الْمُبَارَك, romanized: ʿAbd Allāh ibn al-Mubārak; c. 726 –797) was an 8th-century traditionalist [3] Sunni Muslim scholar and Hanafi jurist. [4]
Abū al-Ḥusayn Muslim ibn al-Ḥajjāj ibn Muslim ibn Ward al-Qushayrī an-Naysābūrī [note 1] (Arabic: أبو الحسين مسلم بن الحجاج بن مسلم بن وَرْد القشيري النيسابوري; after 815 – May 875 CE / 206 – 261 AH), commonly known as Imam Muslim, was an Islamic scholar from the city of Nishapur, particularly known as a muhaddith (scholar of ...
It is a small song which consists of one mukhda and one antara. Towards the end of the song, Srikar performs a long alaap, which was kept as it is in the final version of the album as of the recording without any editing. [4] Shekhar's voice is used in the song in an alaap in the interlude.
The Six Kalmas (Urdu: چھ کلمے chh kalme, Arabic: ٱلكَلِمَات ٱلسِتّ al-kalimāt as-sitt, also spelled qalmah), also known as the Six Traditions or the Six Phrases, are six Islamic phrases often recited by Pakistani Muslims. [1]
The latter narration is mursal (meaning the chain of narration was interrupted) and ḍaʻīf (weak), narrated by Zaid ibn Aslam from the third generation who did not witness the event and found in Tafsir al-Tabari (who was known to record numerous kinds of narrations, both authentic and inauthentic, as a compendium for hadith scholars to ...