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Damask ( /ˈdæməsk/; Arabic: دمشق) is a woven, reversible patterned fabric. Damasks are woven by periodically reversing the action of the warp and weft threads. [ 1] The pattern is most commonly created with a warp-faced satin weave and the ground with a weft-faced or sateen weave. [ 2] Fabrics used to create damasks include silk, wool ...
Bazin (or basin) is a West African fabric with its origin in Europe imported in Mali, made from hand-dyed cotton, resulting in a damask textile known for its stiffness and vibrant sheen. It is primarily recognized as the most commonly used fabric for crafting a Boubou, a long, loose traditional outerwear worn by both men and women, particularly ...
The drafting history of the Agreement on Textiles and Clothing; American Women's History: A Research Guide Archived 15 May 2008 at the Wayback Machine Clothing and Fashion; All Sewn Up: Millinery, Dressmaking, Clothing and Costume; Gallery of English Medieval Clothing from 1906 by Dion Clayton Calthrop
Yoruba clothing are the traditional clothings worn by people of the Yoruba ethnic group in parts of Nigeria, Benin and Togo in a region called Yorubaland. The clothing reflects the rich culture, history and aesthetic preferences of the Yoruba people. Yoruba woman in traditional clothing. Yoruba men's clothing. Yoruba woman.
Irish linen ( Irish: Línéadach Éireannach[ 1]) is the name given to linen produced in Ireland (including both the Republic of Ireland and Northern Ireland ). Linen is cloth woven from, or yarn spun from, flax fibre, which was grown in Ireland for many years before advanced agricultural methods and more suitable climate led to the ...
1930–1945 in Western fashion. The most characteristic North American fashion trend from the 1930s to 1945 was attention at the shoulder, with butterfly sleeves and banjo sleeves, and exaggerated shoulder pads for both men and women by the 1940s. The period also saw the first widespread use of man-made fibers, especially rayon for dresses and ...
1795–1820 in Western fashion. In the early 1800s, women wore thin gauzy outer dresses while men adopted trousers and overcoats. Rutger Jan Schimmelpenninck and his family, 1801–02, by Pierre-Paul Prud'hon. Madame Raymond de Verninac by Jacques-Louis David, with clothes and chair in Directoire style. "Year 7", that is 1798–99.
The American scene in the 1920s featured a widespread expansion of women's roles, starting with the vote in 1920, and including new standards of education, employment and control of their own sexuality. "Flappers" raised the hemline and lowered the old restrictions in women's fashion. The Italian-American media disapproved.