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Museum of Modern Art, New York [191] 106 [192] GF1990-032 [193] Candy piece "Untitled" (Death by Gun) 1990 Print on paper, endless copies 9 in (22.86 cm) at ideal height x 45 x 33 in (114.3 x 83.82 cm) [original paper size] 1 Museum of Modern Art, New York [194] 100 [195] GF1990-036 [196] Replenishable stack "Untitled" (Natural History) 1990
Starting in the 1970s, Leland's contemporary Norman Carlberg produced groups of square framed prints [15] which he placed together on a wall in a tight grid, each print conceived as an independent module. The viewer is then invited to rotate or reposition them to generate new composite images.
Tate Modern is an art gallery in London, housing the United Kingdom's national collection of international modern and contemporary art (created from or after 1900). It forms part of the Tate group together with Tate Britain , Tate Liverpool and Tate St Ives . [ 2 ]
The New Lithography: A Complete Guide for Artists and Printers in the Use of Modern Translucent Materials for the Creation of Hand-Drawn Original Fine-Art Lithographic Prints. New York: Van Nostrand Reinhold, 1984. Marzio, Peter C. "Lithography as Democratic Art: A Reappraisal." Leonardo 3(1971):37-48.
di Rosa Center for Contemporary Art is a non-profit art center in Napa, California. di Rosa maintains a collection of approximately 1,600 works of art by Northern California artists including Robert Arneson, Bruce Conner, Jay DeFeo, Tony Labat, and William T. Wiley. The organization is in its 25th year as a public entity.
Giclée (/ ʒ iː ˈ k l eɪ / zhee-KLAY) describes digital prints intended as fine art and produced by inkjet printers. [1] The term is a neologism, ultimately derived from the French word gicleur, coined in 1991 by printmaker Jack Duganne. The name was originally applied to fine art prints created on a modified Iris printer in a process ...
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