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Blue and white ware did not accord with Chinese taste at that time, the early Ming work Gegu Yaolun (格古要論) in fact described blue as well as multi-coloured wares as "exceedingly vulgar". [16] Blue and white porcelain however came back to prominence in the 15th century with the Xuande Emperor, and again developed from that time on. [14]
Vietnamese blue and white jar from Chu Đậu kilns, 14th century The Vietnamese had begun exporting their ceramic productions at least since late 13th century to 14th century. [ 6 ] According to archaeological findings in Vietnam and other countries from the 14th century, some Vietnamese ceramics and coins dated 1330 have been recovered from ...
With a white glaze, these were able to imitate porcelains both from East Asia and Europe. Amongst the most complicated earthenware ever made are the life-size Yixian glazed pottery luohans of the Liao dynasty (907–1125), Saint-Porchaire ware of the mid-16th century, apparently made for the French court and the life-size majolica peacocks by ...
The Bolesławiec pottery that is most recognizable today is the white or cream colored ceramic with dark blue, green, yellow, brown, and sometimes red or purple motifs. The most common designs include dots, abstract florals, speckles, “windmills”, and the favorite “peacocks eye”. [4]
Transition to kilns: The earliest intentionally constructed were pit-kilns or trench-kilns, holes dug in the ground and covered with fuel. Holes in the ground provided insulation and resulted in better control over firing. [71] Kilns: Pit fire methods were adequate for simple earthenware, but other pottery types needed more sophisticated kilns.
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