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Antonio Vivaldi wrote a set of flute concertos, Op. 10, [a] that were published c. 1728 by Amsterdam publisher Michel-Charles Le Cène. [1] Flute Concerto No. 1 "La Tempesta di Mare" in F major, RV 433 Allegro; Largo; Presto; Flute Concerto No. 2 "La Notte" in G minor, RV 439 (see also RV 104, composed in the 1710s with chamber accompaniment) Largo
Each concerto was printed in eight parts: four violins, two violas, cello and continuo. The continuo part was printed as a figured bass for violone and harpsichord. The concertos belong to the concerto a 7 format, that is: for each concerto there are seven independent parts. In each consecutive group of three concertos, the first is a concerto ...
D minor: 96: Concerto: Flute, violin, bassoon, strings ... F minor: 743: Lost – mentioned in Vivaldi's autograph thematic catalog ... (IMSLP) Lost Vivaldi flute ...
Six Violin Concerti, Op. 6, is a set of concertos written by Antonio Vivaldi in 1712–1715. [1] The set was first published in 1719 in Amsterdam. Concerto No. 1 in G minor, RV 324
La Cetra, Op.9. La cetra, Op. 9, is a set of twelve violin concertos by Antonio Vivaldi, published in 1727.All of them are for violin solo, strings, and basso continuo, except No. 9 in B flat, which features two solo violins.
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8, 1725) Title page, 1725. Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8.
A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. They were in two volumes, each containing concertos numbered 1-6.
Vivaldi had an extensive influence on the concerto genre, helping to pioneer the structure, expanding the boundaries of the genre, and showing that any instrument could have a concerto. [citation needed] Vivaldi's contemporaries and predecessors such as Purcell, Bach and Handel featured the flute (traverso and/or recorder) significantly in ...