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Luis de Mena was a Mexican artist who lived and worked predominantly in the middle of the eighteenth century. Mena painted religious works and has been described as "no more than a journeyman painter in 18th century Mexico." [1] [2] He signed a work entitled "Most Holy Mother of Light", now on display in the Serra Museum in San Diego ...
Toussaint believed he might be the official painter for the Seminario de San Camila, [1] His 1777 single-canvas casta painting is an exemplar of this eighteenth-century genre of secular art. [2] It is similar in some ways to the 1750 single-canvas painting by Luis de Mena , which also includes outdoor scenes near Mexico City, particularly the ...
Luis de Mena, Virgin of Guadalupe and castas, 1750. Museo de América, Madrid Casta painting showing 16 hierarchically arranged, mixed-race groupings, with indios mecos set outside of the orderly set of "civilized" society. Ignacio Maria Barreda, 1777. Real Academia Española de la Lengua, Madrid Spanish father and Albina mother, Torna atrás.
Spanish father and Albina mother, torna atrás child.Miguel Cabrera, 1763 Mexico. Torna atrás (Spanish pronunciation: [toɾnaˈtɾas]) or tornatrás is a term used in 18th century Casta paintings to portray a mestizo or mixed-race person who showed phenotypic characteristics of only one of the "original races", such as European or Amerindian ancestry. [1]
Some were likely commissioned by Spanish functionaries as souvenirs of Mexico. A number of artists of the era created casta paintings, including Miguel Cabrera, José de Ibarra, Juan Patricio Morlete Ruiz, Francisco Clapera, and Luis de Mena, but most casta paintings are unsigned.
Luis Mena may refer to: Luis de Mena, 18th-century Mexican painter; Luis Mena (Nicaraguan politician) (Luis Mena Vado, c. 1865–1928), Nicaraguan politician; Luís Mena e Silva (1902–1963), Portuguese sport equestrian rider; Luis Rojas Mena (1917–2009), Mexican Roman Catholic bishop; Luis Mena Arroyo (1920–2009), Mexican Roman Catholic ...
La Virgen alada del Apocalípsis ("Winged Virgin of the Apocalypse") by Miguel de Santiago, 17th century. Retrato de una señora principal con su negra esclava ("Portrait of a Quito Matron Lady with Her Black Slave") by Vicente Albán, 1783. Oil on canvas, 80 x 109 cm. Madrid, Museum of the Americas.
Rizal, Jose (1964) [1884–1890]. Political and Historical Writings by Jose Rizal. Manila, Philippines: National Historical Institute. Translated by Alzona, Encarnacion A. OCLC 9376855; Tiongson, Nicanor G (2004). The Women of Malolos. Quezon City, Philippines: Ateneo de Manila University Press. ISBN 971-550-467-1