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French Classicism was, from the beginning, an expression of the power and majesty of the Kings of France. It proceeded deliberately in a different direction from Italy and the rest of Europe, combining classical elements, especially colossal orders of columns, and avoiding the exuberant decoration that appeared on façades and interiors in Spain, Germany and Central Europe.
The Louis XIV style or Louis Quatorze (/ ˌ l uː i k æ ˈ t ɔːr z,-k ə ˈ-/ LOO-ee ka-TORZ, - kə-, French: [lwi katɔʁz] ⓘ), also called French classicism, was the style of architecture and decorative arts intended to glorify King Louis XIV and his reign. It featured majesty, harmony and regularity.
French Creole architecture is an American Colonial style that developed in the early 18th century in the Mississippi Valley, especially in Louisiana. French Creole buildings borrow traditions from France, the Caribbean, and many other parts of the world such as Spanish, African, Native American, and other heritages. French Creole homes from the ...
The Beaux-Arts style evolved from the French classicism of the Style Louis XIV, and then French neoclassicism beginning with Style Louis XV and Style Louis XVI.French architectural styles before the French Revolution were governed by Académie royale d'architecture (1671–1793), then, following the French Revolution, by the Architecture section of the Académie des Beaux-Arts.
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Classicism is a specific genre of philosophy, expressing itself in literature, architecture, art, and music, which has Ancient Greek and Roman sources and an emphasis on society. It was particularly expressed in the Neoclassicism [4] of the Age of Enlightenment.
The emphatically classical church façade of Santa Maria Nova, Vicenza (1578–90) was designed by the influential Renaissance architect Andrea Palladio.. During the Italian Renaissance and with the demise of Gothic style, major efforts were made by architects such as Leon Battista Alberti, Sebastiano Serlio and Giacomo Barozzi da Vignola to revive the language of architecture of first and ...
The Gothic spires and pointed arches were replaced by classical domes and rounded arches, with comfortable spaces and entertaining details, in a celebration of humanity. The Baroque style was a florid development of this 200 years later, largely by the Catholic Church to restate its religious values.