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The Latin form of Pilate's words, "Behold the man", has given the title Ecce Homo to this picture. It is the moment when Jesus comes forth from the rude mockery of the soldiers, clad in a royal robe, and wearing the crown of thorns. The governor has bidden one of the soldiers lead the prisoner out on a balcony of the palace.
Pilate handed Jesus over to them for crucifixion. Jesus abducted for crucifixion: Matthew 27:27–31. Roman soldiers took Jesus into the praetorium. Soldiers undressed Jesus and put a scarlet robe, a crown of thorns and a staff on him. Soldiers knelt in front of Jesus and mocked him saying: 'Hail, king of the Jews!'
Notes: etching Rembrandt’s Orient. West Meets East in Dutch Art of the 17th Century cat. 71: References: Rembrandt catalogue raisonné, 1914, 128 ; Rembrandt catalogue raisonné, 1968, 72
Ecce Homo, Caravaggio, 1605. Ecce homo (/ ˈ ɛ k s i ˈ h oʊ m oʊ /, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his crucifixion (John 19:5).
The main figures are on a platform above the crowd, in front of a dark archway. Accompanied by armed guards, Pilate stands with a long staff, wearing an oriental turban and long gown, gesturing to the two prisoners who stand bound to the right. To the left is a scribe and youth with an ewer of water, ready for Pilate to wash his hands.
The flagellation of Jesus ("Trial Before Pilate (Including the 39 Lashes)") is a climactic event in the rock musical Jesus Christ Superstar. [14] [circular reference] Modern filmmakers have also depicted Christ being flogged. It is a significant scene in Mel Gibson's 2004 The Passion of the Christ.
Lithostrōtos (lit. ' stone pavement ', from lithos ‘stone’ and strōtos στρωτός ‘covered’) [1] occurs in the Bible only once, in John 19:13. [2] [3] It states that Pontius Pilate "brought Jesus forth, and sat down in the judgment seat, in the place that is called Lithostrotos, and in Hebrew Gabbatha."
Christ in front of Pilate, 1881. Sedelmeyer wanted Munkácsy to paint large-scale pictures which could be exhibited on their own. They decided that a subject taken from the Bible would be most suitable. In 1882 Munkácsy painted Christ in front of Pilate, followed by Golgotha in 1884. The trilogy was completed with Ecce Homo in 1896.