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The lower painting is of a stormy sea, a metaphor for tempestuous love. [citation needed] Above it is a landscape painting of a traveler on a sandy road. This may refer to the absence of the man who is writing to the lady. [2] Love Letter remains the only one of Vermeer's works to incorporate a seascape. [3]
The Intercepted Love Letter (German: Der abgefangene Liebesbrief) is an oil-on-canvas painting by German painter Carl Spitzweg. It was painted c. 1860 and its now housed at the Museum Georg Schäfer, in Schweinfurt, Germany.
The painting of Cupid on the wall may suggest that the girl is reading a love letter. Stephan Koja, director of the Gemäldegalerie Alte Meister (Old Masters Picture Gallery), said in a statement that "Beyond the superficially amorous context, it is a fundamental statement about the essence of true love."
Metropolitan Museum of Art, New York: The Allegory of Painting, also known as The Art of Painting: 1666–67 or c. 1666–68 [8] Oil on canvas, 100 × 120 cm Kunsthistorisches Museum, Vienna: Mistress and Maid, also known as Lady with her Maidservant Holding a Letter: 1667/68 Oil on canvas, 90.2 × 78.7 cm Frick Collection, New York
The painting depicts Mrs Mailsetter in an admonishing pose and Jenny Caxon, the recipient of a love letter from her older beau, Lieutenant Richard Taffril, who was away at sea. An engraving by Charles Rolls of the painting and the poem were published side by side in Fisher's Drawing Room Scrapbook for 1833 (London, UK Fisher Jackson). [17]
Love as Folly: c. 1773-1776: National Gallery of Art (Washington, D.C.) Oil on canvas Love the Sentinel: c. 1773-1776: National Gallery of Art (Washington, D.C.) Oil on canvas The Love Letter: 1770–1775 Girl with Dog: 1770–1775 Alte Pinakothek (Munich) The Pre-arranged Flight: 1772–73 Fogg Museum (Cambridge, MA) The Adoration of the ...
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One aspect of his meticulous painting technique was Vermeer's choice of pigments. [56] He is best known for his frequent use of the very expensive ultramarine (The Milkmaid) and also lead-tin-yellow (A Lady Writing a Letter), madder lake (Christ in the House of Martha and Mary), and vermilion. He also painted with ochres, bone black and azurite ...
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