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Fanned-fret guitars have a multi-scale fingerboard because of "offset" frets; that is, frets that extend from the neck of the guitar at an angle. Ralph Novak (Novax Guitars) was the first to apply this idea to the electric guitar (1988). [2] The frets are arrayed on an angle, in contrast to the standard perpendicular arrangement of other guitars.
Frets let the player stop the string consistently in the same place, which enables the musician to play notes with the correct intonation. As well, frets do not dampen string vibrations as much as fingers alone on an unfretted fingerboard. Frets may be fixed, as on a guitar or mandolin, or movable, as on a lute.
Fat frets make bending easier, and they change the feel of the guitar. As well, large frets, offering more metal, remain playable much longer than thin frets. A side effect of a thicker fret is a less precise note, since the string is held over a wider surface, causing a slight inaccuracy of pitch, which increases in significance as frets wear. [2]
The current L6S neck does not feature the unique "narrow at the nut and wider near the body" taper of the 1970s guitar, but a conventional Gibson shape. The chamfered body shape and 24 frets are of similar design to the 1970s classic, except that the newer version is a two-piece maple body, as opposed to a one-piece bodywork on the original.
Advantages of such scheme include its symmetry about the 12th fret and symmetry of every half (0–12 and 12–24) about the 7th and 19th frets. However, playing these frets, for example, on the E string would yield the notes E, G, A, B, C# that barely make a complete musical mode by themselves.
The DK2s are made from alder with a maple bolt-on neck. The fingerboard is Rosewood with 24 frets. The DK2 model has three Seymour Duncan pickups; two are single-coil, the third (the bridge) is a humbucker. Variants include: DK2L: The left-handed version of the DK2; DK2M: A DK2 with a maple fingerboard and unpainted maple headstock. This uses ...
Guitar tunings assign pitches to the open strings of guitars. Tunings can be described by the particular pitches that are denoted by notes in Western music. By convention, the notes are ordered from lowest to highest. The standard tuning defines the string pitches as E, A, D, G, B, and E.
The E-type barre chord is an E chord shape (022100) barred up and down the frets, transposing the chord. For example, the E chord barred one fret up becomes an F chord (133211). The next fret up is F ♯, followed by G, A ♭, A, B ♭, B, C, C ♯, D, E ♭, and then back to E (1 octave up) at fret twelve.